selected catalogues and books
Ecoart in Action, N.V. Publications, includes the chapter Chance Encounter: Art, Life, and Activism in open air studio Shinnecock Hills spacetime 2021
The Spirit of Art as Activism, edited by Nina Felshin Bay Press. 1994. pp 251 - 282 repros reprinting 2021
Radical Presence: Black Performance in Contemporary Art curated by Valerie Cassel, Contemporary Arts Museum Houston 2013
*Crimes and Misdemeanors: Politics in US Art of the 1980s curated by Thom Collins Contemporary Arts Center, Cinn., Ohio
Against the Grain, curated by Lowery Sims and Elizabeth Kirrane, Museum of Art and Design 2012
Dead or Alive, curated by Lowery Sims, Museum of Art and Design, NYC, repro page 120
Observational Findings: MT Vernon Park, Contemporary Museum, Baltimore 2005 repro
The Forest: Politics, Poetics, and Practice curated by Kathleen Goncharov Nasher Museum, Duke University. NC. 2005 repros
East Village USA, curated by Dan Cameron, New Museum. 2004 p. 22
Aquaria, curated by Barbara Wally, Landes Museen, Austria, 2002 P. 15 color repro p. 216
Watermarks, curated by Patricia Phillips, Blum Art Gallery, 2003
A Creative Legacy, The National Endowment for the Arts, 2002, repro. P. 197
In Response to Place, curated by Andy Grundberg, Bullfinch Press, 2001 p. 21, pp. 148 – 157 repros
Hope Sandrow: Water Life, curated by Eugenie Tsai, Whitney Museum of American Art 1998
Hope Sandrow: Fragments: Self / History, curated by Susan Lubowsky Talbott, SECCA 1995
Time Capsule A Concise Encyclopedia by Women Artists, edited by Robin Kahn Creative Time Lost and Found p 320
Andrea Wolper, Making Art, Reclaiming Lives, The Artist and Homeless Collaborative, But is it Art? The Spirit of Art as Activism, editor Nina Felshin, Bay Press 1995
Skowhegan School of Painting and Sculpture Governor’s Award to Hope Sandrow essay by Thomas Sokolowski. page 7. 1994
Tradition and the Unpredictable, curated by Anne Tucker, Museum of Fine Arts, Houston. 1993 repros
The Subject of Rape, curated by Whitney Museum Independent Study Program Monica Chau, Hannah J. L. Feldman, Jennifer Kabat, Hannah Kruse, Whitney Museum of American Art, NYC.
The Art of Advocacy, curated by Ellen O’Donnell Rankin, Aldrich Museum, Ct. 1991 p. 9
Blast, curated by Jordan Crandall X-Art Foundation 1991. page 33
The Starving Artists Cookbook, curated by Paul & Melissa EIDIA
Dia De Los Muertos/Day of the Dead ,curated by Geno Rodriguez, Alternative Museum, NYC, 1990
Fantasies, Fables, and Fabrications: Photo-works from the 1980's, Herter Art Gallery curated by Curated by Trevor Richardson, University of Massachusetts, Amherst, MA.
Sequence (Con)Sequence, curated by Julia Ballerini, Blum Art Institute, Bard College, NY, Aperture Press, 1989
American Photography of the Eighties, curated by Joshua P. Smith National Museum of American Art, Washington, DC1989
Readings in Contemporary Poetry, Publication Covers curated by Jean Foos, DIA Art Foundation, New York
Photography on the Edge, curated by Curtis Carter, Haggerty Museum of Art, Marquette University, MI., 1988
Working Spaces: New Work from New York, curated by Allison Ferris, University Art Gallery, State University of New York 1987
Contemporary Diptychs: Divided Visions, curated by Roni Feinstein, Whitney Museum of American Art, 1987
Painting and Sculpture Today, Indianapolis Museum of Art Biennial, 1986
Les Recontres D'Arles, curated by Francoise Hebel, Aries, France, 1986
Hope and Fear/ Hope Sandrow Silver Prints, essay and curated by Curtis Carter, Haggerty Museum, Milwaukee, 1986.
Hope & Fear, essay by Ben Lifson, Gracie Mansion Gallery, 1986
Directions 1986 Toward the Baroque, curated by Phyllis Rosenzweig, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution Press, 1986
Neo York, curated by Mary Looker and Phyllis Plous , University Art Museum, University of California Santa Barbara, CA, 1984
East Village Art in Berlin, Zellermayer Galerie, Berlin, 1984.
Investigations: Face to Face curated by Paula Marincola, Institute of Contemporary Art, Philadelphia, PA, 1984