Hope Sandrow lives and works in her studio 24/7: the multidisciplinary art installation open air studio Shinnecock Hills in Southampton, New York - ongoing since 2006. Her practice in her loft in the Flatiron District of Manhattan from 1985 - 2006. Sandrow lives with her husband, composer, musician Ulf Skogsbergh.

Selected solo exhibitions, installations and collaborations


SELECTED SOLO EXHIBITIONS and INSTALLATIONS

2025 The Study Hope is the thing with feathers on view the ongoing installation open air studio Shinnecock Hills spacetime. A NYFA-sponsored Artist Project

2024 The Study Lookback Window time in the series I won’t carry your water I’m not your succulent on view the ongoing installation open air studio Shinnecock Hills spacetime. A NYFA-sponsored Artist Project.

2023 The Study I won’t carry your water I’m not your succulent on view the ongoing installation open air studio Shinnecock Hills spacetime. A NYFA-sponsored Artist Project.

2022 The Study I’m not your succulent on view the ongoing installation open air Studio Shinnecock Hills spacetime. A NYFA Artist Project

2021-2022 Art for Change: The Artist and Homeless Collaborative at The New York Historical (postponed June 26 - Sept 27, 2020) curated by Rebecca Klassen and Laura Mogulescu December 3, 2021- April 3, 2021

2022 - 2021 The Study (Re)collecting An Artist’s Dream on view the ongoing installation open air Studio Shinnecock Hills spacetime. A NYFA Artist Project.

2020 The Studies The Sky is Falling (too) and Women’s Study Room on view the ongoing installation open air Studio Shinnecock Hills spacetime a NYFA Artist Project

2019 The Studies When Dreams Collide; Portrait of a Chicken as an Egg(candled) within a Golden rectangle; and Coop LeWitt: (re)constructing Sol LeWitt on view the ongoing installation open air Studio Shinnecock Hills spacetime a NYFA Artist Project

2018 *The fabric of time and space open air studio, permanent installation United States Embassy Jakarta, Indonesia November 2018 commissioned by Virginia Shore and Claire D’Alba Art in Embassies Department of State.

The Study Portrait of a Chicken as an Egg within a Golden Rectangle on view the ongoing installation open air Studio Shinnecock Hills spacetime a NYFA Artist Project

2017 on view, the ongoing installation open air Studio Shinnecock Hills spacetime. A NYFA Artist Project.

2016 - 2018 *Hope Sandrow: The fabric of time and space open air studio commissioned for permanent installation by the United States State Department Art in Embassies, curators Virginia Shore and Claire D’Alba

2016 The Study The fabric of time and space on view the ongoing installation open air Studio Shinnecock Hills spacetime.

2015 The Study Observational Findings Gallus Gallus on view the ongoing installation open air Studio Shinnecock Hills spacetime.

2014 on view, the ongoing installation open air Studio Shinnecock Hills spacetime Hope Sandrow 2 ASEAN Embassy, Jakarta, Indonesia

2014 (ongoing) Hope Sandrow Sketches of Local History open air studio Shinnecock Hill spacetime

2013 Hope Sandrow Genius Loci (Sky)gazing with Montauk Observatory January Parrish Art Museum curated with Andrea Grover

The Studies Sky(gaze) within a Cube and Observational Findings Drawn in Dirt on view the ongoing installation open air Studio Shinnecock Hills spacetime

Hope Sandrow Genius Loci Clairaudience with Carlos Lama, Ulf Skogsbergh, Parrish Art Museum curated with Andrea Grover April 2013

2012 -13 Hope Sandrow Genius Loci, Inaugural Platform Project, Parrish Art Museum curated by Andrea Grover Southampton New York Hope.

Sandrow Genius Loci (Sky)gazing with Montauk Observatory November 2012 - January Parrish Art Museum curated with Andrea Grover

2012 The video Open Air Studio on view the ongoing installation open air Studio Shinnecock Hills spacetime created for the exhibit Against the Grain, Museum of Art and Design curated by Lowery Stokes Sims and Elizabeth Kirrane.

Hope Sandrow Genius Loci Floored with Elke Luyten, Kira Alker Parrish Art Museum curated with Andrea Grover Southampton New York.

Hope Sandrow Genius Loci Free Advice with Sur Rodney Sur Parrish Art Museum curated by Andrea Grover Southampton New York

2011 on view, the ongoing installation open air Studio Shinnecock Hills spacetime

2010 on view, the ongoing installation open air Studio Shinnecock Hills spacetime Hope Sandrow Open Air Studio Shinnecock Hills spacetime Artsites, Riverhead NY

2009 Hope Sandrow: Catherine Gund Family Portraits The Study The Sky is Falling

on view the ongoing installation open air Studio Shinnecock Hills spacetime

2008 - Hope Sandrow: The Sky is Falling, Shinnecock Family Flock Portraits commissioned by Agnes Gund

Hope Sandrow: How do you do Cock-a-doodle-do?; En Plein Air on the road on view the ongoing installation open air Studio Shinnecock Hills spacetime

Hope Sandrow: Headstand: Geoff Hendricks On the Road open air Studio Shinnecock Hills spacetime

Hope Sandrow: Free Advice: Sur Rodney Sur On the Road open air Studio Shinnecock Hills spacetime

2007 - 2016 The Study on the road on view the ongoing installation open air Studio Shinnecock Hills spacetime

Hope Sandrow 3 2007 (Re)Collecting an American’s Dream, Southampton Historical Museum curated by Tom Edmond, New York Part I: Shinnecock When Dreams Collide

Hope Sandrow, Web Project, Southampton Historical Museum, Part II: Shinnecock, When Dreams Collide

Hope Sandrow: How do you do Cock-a-doodle-do?; En Plein Air on the road on view the ongoing installation open air Studio Shinnecock Hills spacetime

The Studies on the road; Observational Findings, Shinnecock Family Flock Hens pictured with chicks; Observational Findings Untitled (lay bare); and Happening Live on view the ongoing installation open air Studio Shinnecock Hills spacetime

2006 – 07 Hope Sandrow: Godt Tegn Open Air Studio Shinnecock Hills spacetime, International Projects, PS1/MOMA curated by Alanna Heiss.

The Study (Re)Collecting an American’s Dream on view the ongoing installation open air Studio Shinnecock Hills spacetime

2006 Chance Encounter: Tuesday, March 28 when Sandrow’s path crossed with the Padovana white cockerel on Shinnecock Hills. He followed Sandrow home, where he roosted in a cedar tree. Subsequently, founding the ongoing installation open air Studio Shinnecock Hills spacetime

2005 - 06 *Eureka, Project Room, The Contemporary Museum curated by Thom Collins and Cira Pascual Marquina, Baltimore, Md.

Observational Findings: Mt. Vernon Park

1998 *Hope Sandrow Water Life, Whitney Museum of American Art Altria /Philip Morris curated by Eugenie Tsai, NYC

1997 Hope Sandrow New Work, University of the Arts, Philadelphia, PA

*Hope Sandrow Memories Spaces Time Steven Kasher Gallery essay by Max Kozloff

1995 *Fragments curated by Geno Rodriguez, Alternative Museum, NYC

*Hope Sandrow Material Matters Art in the Anchorage, Creative Time commissioned by Anne Pasternak NYC.

1994-95 *Hope Sandrow Fragments: Self/History, Artist in the Community Southeastern Center for Contemporary Art curated by Susan Lubowsky Talbot and Jeff Fleming, Winston Salem, N.C.

1993 On the Way Home: The Artist & Homeless Collaborative curated by Hope Sandrow with Susan Fleminger NYC. Henry Street Settlement, NYC.

1992 - 94 NYFA Artist New Works sponsor Artist & Homeless Collaborative 1992 Hope Sandrow Flag for the Nineties, curated by Kathleen Goncharov commissioned for Vera List, NYC

1991 Hope Sandrow Disposable curated by Thomas Sokolowski Grey Art Museum, New York University. NYC

Hope Sandrow: Three Views curated by Holly Block, Art in General, NYC.

1989 Hope Sandrow Response(mounted) Gracie Mansion Gallery, NYC Hope Sandrow 4

1988 Hope Sandrow New Works Gracie Mansion Gallery, NYC

1987 Hope Sandrow New Work University of the Arts, Phila., Pa.

1986 *Hope Sandrow Hope and Fear curated and essay by Curtis Carter Haggerty Museum of Art, Marquette University, Milwaukee, WI. *Hope Sandrow: Hope & Fear Gracie Mansion Gallery, NYC

1985 Hope Sandrow Back on the Streets Zero One Gallery, Los Angeles Hope Sandrow Back on the Streets Greathouse Gallery, NYC

1984 Hope Sandrow Philadelphia College of Art curated by Ben Lifson

1983 Hope Sandrow Men on the Streets Zero One Gallery, Los Angeles

SELECTED GROUP EXHIBITIONS

2023 I won’t carry your water, I’m not your succulent in collaboration with Brianna Hernandez on view On & Off the Ground, Longhouse Reserve curated by Joanne Sohn Easthampton New York

Unhomeless NYC curated by Maureen Connor, Midori Yamamura, Tommy Mintz Kingsborough Art Museum

2021 Clearing the Air Southampton Arts Center curated by Jay Davis September 13 - December 19

2020-2024 Open Air Studio Shinnecock Hills spacetime: (Re)Collecting an Artist’s Dream curated by Hope Sandrow

Artist Stories from the Pandemic curated by Corinne Erni, Parrish Art Museum

2019 - 2020 Nicolas Moufarrege Recognize My Sign, CAMH; Queens Museum curated by Dean Dadarko

2019 The Summer of 1982 curated by Dan Cameron, Johannes Vogt Gallery NYC

*Radical Presence: Black Performance in Contemporary Art Free Advice collaboration with Sur Rodney Sur

Contemporary Arts Museum curated by Valerie Cassel Oliver Houston; Grey Art Gallery

Sept - Dec, 2013, live performance Sept 9 *White Hot and Blue 2 curated by Jack Lenor Larsen, LongHouse Reserve repro p 45

2012 - 2013 New Acquisitions, Parrish Art Museum curated by Andrea Grover November 

2014 -15 *Radical Presence: Black Performance in Contemporary Art collaboration with Sur Rodney Sur, Yerba Buena Art Center June 12 - October 12, 2015, Walker Art Center

July 24, 2014- Jan 2015 2012 - 14 *Against the Grain, Museum of Art and Design curated by Lowery Stokes Sims and Elizabeth Kirrane NYC;

Mint Museum, North Carolina; Museum of Art Fort Lauderdale, Florida

*Radical Presence: Black Performance in Contemporary Art Free Advice collaboration with Sur Rodney Sur Contemporary Arts Museum curated by Valerie Cassel Oliver Houston; Grey Art Gallery

Sept-Dec 2013, live performance Sept 9 *White Hot and Blue 2 curated by Jack Lenor Larsen LongHouse Reserve repro p 45

2012 - 2013 New Acquisitions, Parrish Art Museum curated by Andrea Grover November Hope Sandrow 5 *Out (o) Fashion Photography: Embracing Beauty curated by Deborah Willis,

Henry Art Gallery, Seattle March 2 - Sept 1

The Moby Project, curated by Janet Goleas Mulford Farm, Easthampton NY

September Paper Cuts, organized by Sara Greenberger Rafferty/David Kennedy Cutler, NY Art Book Fair at PS1/MOMA NY

Summer of Love, organized by Hope Sandrow, Art Sites Riverhead New York

2012 Nature Incorporated, Artsites curated by Glynis Berry, Riverhead, New York

2011 *An Exchange with Sol LeWitt, Mass MOCA Curated by Regine Basha Hope Sandrow

Endangered Species, On & Off the Ground, curated by Jack Lenor Larsen, LongHouse Reserve Easthampton New York

*Environmental Art curated by Mark Fasanell, Sustainability Studies Art Gallery, Stony Brook University New York repro

*Voluptuous Panic Robert Wilson Watermill Center Benefit July New York repro 2010

Hope Sandrow Which came first, On & Off the Ground, curated by Jack Lenor Larsen LongHouse Reserve Easthampton New York

*Dead or Alive, Lowery Sims, Museum of Art and Design, NYC,

2010 repro page 120 2009 Gaia and Global Warming: Women Artists Championing Nature curated by Lowery Stokes Sims, Jackson Hole Art Center, Wyoming

2008 Ornithology, Storrs Gallery curated by Barry Rosenberg at University of Conn, Ct I Dream of Genomes, Islip Art Museum curated by Janet Goleas New York

2007 *Call to Action, Artsites curated by Lillian Ball, Riverhead, New York Gallery of Windsor curated by Kelly Paulson, Vero Beach, Florida

December - March 2005 - 06 *The Forest: Politics, Poetics, and Practice curated by Kathleen Goncharov, Nasher Museum of Art at Duke University North Carolina

*East Village USA curated by Dan Cameron, New Museum of Contemporary Art, NYC p. 22

*In Response to Place curated by Andy Grundberg, Boston Public Library, Mass; Bluestar Arts Center, San Antonio

*Crowd of the Person curated by Thom Collins, Contemporary Museum Baltimore MD repro

2004 East Village ASU curated by Rick Prol, B-Side Gallery. NYC.

December-January. *Crimes and Misdemeanors: Politics in US Art of the 1980’s curated by Thom Collins, Contemporary Arts Center, Cinn., Ohio

Hope Sandrow 6 *In Response to Place curated by Andy Grundberg, Chicago Cultural Center, Chicago, Ill; Cinncinatti Contemporary Arts Center, Cinn., Ohio; Gibbs Museum, Charleston, S.C.; Contemporary Arts Center, Virginia Beach, Va; Severin Gallery, Sun Valley, Idaho

2003 *Crimes and Misdemeanors: Politics in US Art of the 1980s curated by Thom Collins, Contemporary Arts Center, Cincinnati, Ohio

*Watermarks, Blum Art Gallery curated by Patrica Phillips, College of the Atlantic, Maine

*In Response to Place curated by Andy Grundberg, High Museum of Art, Atlanta Ga.; Indianapolis Museum of Art, Indianapolis;

Green Hill Center, Greensboro N.C.; Yellowstone Art Museum, Billings, Montana; Scottsdale Museum Contemporary Art, Ar. Immersion curated by Tara Ruth and Patricia Phillips Onisaburo Gallery, New York, NY 2002 *Aquaria, Landes Museen curated by Barbara Wally, Austria 15 color repro p. 216

*In Response to Place curated by Andy Grundberg, Houston Museum of Science, Houston, Texas; Bellevue Art Museum, Seattle, WA; Rhode Island School of Design, Providence Rhode Island; Minnesota Museum of American Art, St.Paul, Minn; Utah Museum of Natural History, Salt Lake City, Utah

2001 *In Response To Place curated by Andy Grundberg, Corcoran Gallery of Art Bullfinch Press, 2001 p. 21, pp. 148 – 157, color repros *

Snapshot, Contemporary Museum curated by Gary Sangster, Adam Lerner, Sarah Vezina, Baltimore, Md

*Notion of Motion curated by Karen Shaw, Islip Art Museum, NY.

*Two by Two for Aids and Art Dallas Museum of Art 1999

Souvenirs: Collecting, Memory and Material Culture curated by Ruth Appelhof, Guild Hall, East Hampton, NY

Souvenirs and Documents, 20 Years curated by Elyse Goldberg, Paola Morsiani, Calvin Reid, Deborah Will, P.S.122 Gallery, NYC.

1998 Bodies in Flux curated by Nancy Doll, Weatherspoon Art Gallery, Greensboro, North Carolina.

1997 *Rage/Resolution curated by Laura Kruger, Hebrew Union College, NYC. *Scratch Thread Waxing Space curated by Ellen Salpeter and Mel Chin NYC

1995 Fragments curated by Geno Rodriguez, Alternative Museum, NYC. *Inside Out curated by Marc J. Straus, Richard Klein, Douglas F. Maxwell, and Harry Philbrick Aldrich Museum of Contemporary Art, Ct.

1994 *Chasing Angels, Cristinerose Gallery, NYC. *Tradition and the Unpredictable The Allan Chasanoff Collection curated by Anne W. Tucker, The Museum of Fine Arts, Houston.

Hope Sandrow 7 1993 Contacts / Proofs curated by Gary Sangster, Jersey City Museum

*The Subject of Rape curated by Whitney Museum Independent Study Program Monica Chau, Hannah J. L. Feldman, Jennifer Kabat, Hannah Kruse, Whitney Museum of American Art, NYC.

On the Way Home curated by Hope Sandrow with Susan Fleminger, Henry Street Settlement, NYC.

1992 WAC, Art at the Anchorage curated by Creative Time Anne Pasternak

*Dirt & Domesticity, and the Construction of the Feminine curated by Independent Study program Jesus Fuenmayor, Kate Haug, Frazer Ward Cara Mertes, Whitney Museum of American Art

1991 *The Art of Advocacy curated by Ellen O’Donnell Rankin, Aldrich Museum.

Commission a Portrait Gallery Benefit, P.S. 122. curated by Thelma Golden, Ken Chu, Steve Keister NYC

Houston Museum of Fine Arts The Allan Chasanoff Photographic Collection 1990

*Day of the Dead curated by Geno Rodriguez, Fran Resch Alternative Museum, NYC. ps 10-11, 21, 25 Thoughts on Homelessness Hope Sandrow Notes on the Margin: A Framework in Focus, Gracie Mansion Gallery, NYC. Bad Girls curated by Corinne Robins, ALJIRA, Newark, NJ. 1989

*The Photography of Invention: American Pictures of the 1980s curated by Joshua P. Smith, National Museum of American Art, Washington, DC. Travels to: Museum of Contemporary Art, Chicago; Walker Arts Center, Minnesota

*Sequence (Con)Sequence: Photographic Multiples of the Eighties curated by Julia Ballerini Blum Art Institute, Bard College, New York

*Fantasies, Fables, and Fabrications: Photo-works from the l980s, Herter Art Gallery curated by Curated by Trevor Richardson, University of Massachusetts, Amherst, MA.

Travels to: Delaware Art Museum; Lamont Gallery, Phillips Academy, Exeter University of Missouri Art Gallery, St. Louis

The Seven Year Itch, Gracie Mansion Gallery, New York City 1988

*Photography on the Edge curated by Curtis Carter, Haggerty Museum of Art, Marquette University, Mil, WI. Kunst Rai, Amsterdam, The Netherlands.

Small Works, Gracie Mansion Gallery, NYC. 1987

*Large As Life: Contemporary Photography curated by Kellie Jones Henry Street Settlement, NYC: Jamaica Arts Center repro Arrangements for the Camera: A View of Contemporary Photography, Baltimore Museum of Art, Maryland Hope Sandrow 8

*Contemporary Diptychs: The New Shape of Content curated by Roni Feinstein, Whitney Museum of American Art at Equitable Center NYC and Fairfield, CT. catalogue repro p 8 *Fragments, San Francisco Camerawork, San Francisco, CA. repro

*Group UFO (photography) curated by Sur Rodney Sur Gracie Mansion Gallery NYC New acquisitions curated by Kathleen Goncharov New School for Social Research 1987

*Working Spaces: New Work from New York curated by Allison Ferris, University Art Gallery, State University of New York

Jan-Feb 1986 *Directions Biennial Toward the Baroque curated by Phylllis Rosenzweig, Hirshhorn Museum, Washington, DC. Sandrow. Stella, Morris, and Turrell catalogue Smithsonian Institution Press

*Hope and Fear/ Hope Sandrow Silver Prints, curated with essay by Curtis Carter, Haggerty Museum, Milwaukee,

1986 The East Village curated by Richard Martin, Harold Koda, Laura Sindebrand Fashion Institute of Technology, NYC.

*Biennial: Painting and Sculpture Today, lndianapolis Museum of Art repro Les Recontres D’Arles curated by Francoise Hebel, Aries, France, 1986 repro p 30 1985 The Discovery of America Wessel/O'Connor, Rome, Italy

East Village at the Au/Centre, Saidye Bronfman Center, Montreal, Canada

Three New York Artists, Vivianne Esters, Paris, France

East Village Sampler curated by Gracie Mansion Jones Troyer Gallery DC February

Knock Knock Who’s There, Gracie Mansion Gallery May London Art Fair, The London Olympia England

Recommendations 85 curated by Stacey Teele Kamikaze jan

East Infection curated by Carlo McCormick Zero One Gallery LA March 1984

*Neo York curated by Phyllis Plous and Mary Looker, University Art Museum, University of California at Santa Barbara California Cologne Art Fair, Cologne West Germany

*East Village Art in Berlin Zellermayer Galerie, Berlin,

1984 Zurich Art Fair, Zurich Switzerland

Climbing: The East Village curated by Carlo McCormick, Hal Bromm Gallery

Jan 7 Feb 4 Hope Sandrow 9 *Investigations: Face to Face curated by Paula Marincola, Institute of Contemporary Art Philadelphia, Pa. repro

The New Portrait curated by Jeffrey Deitch, P.S.1 Long Island City, NY.

New Galleries of the Lower East Side, curated by Helene Winer Artists Space NYC.

Limbo curated by Walter Robinson and Carlo McCormick, MOMA/PS1

New Romance curated by Regina Trapp New Math Gallery NYC Nov

Chill Out curated by Steve Kaplan Kenkeleba Gallery NYC

Romance & Catastrophe curated by Regina Trapp and Michael Kohn Zelle-Meyer Gallery Berlin

Antipasto curated by John Wessel and Billy O’Connor Kamikaze NY

Girls Night curated by Stacey Teele Kamikzaze NYC

Salon Oggi Domani curated by T. Greathouse

Salon Des Artistes Gracie Mansion Gallery

Portraits curated by Mario Fernandez and Nina Seigenfeld New Math Gallery

Judy Rifka’s Girls Book curated by Rich Colicchio Gallery 51X NYC

Gallery Artists, T. Greathouse June - July Post

Contemporary Art, curated by Gracie Mansion Gracie Mansion Gallery October

Portraits, curated by Gracie Mansion Gracie Mansion Gallery

July Vote curated by Paul Smith ABC No Rio Conspiracies curated by Michael Limbo Limbo Gallery

1983 Season Preview curated by T. Greathouse, Oggi Domani, NYC.

Six Photographers, curated by T. Greathouse 411/12 Gallery, NYC.

Spring Street Pier, curated by David Wojnarowicz and Mike Bidlo NYC.

Urban Artists, curated by Carlo McCormick and Christine Zounek Kamikaze NYC

1982 A Flag for the Eighties, curated by Nicolas Mouferrege, P.S.1, Long Island City, NY

The Famous Show, curated by Gracie Mansion Gracie Mansion Gallery NYC.

1979 Six Photographers, curated by Catherine Lamagna, Soho Center for the Visual Arts, NYC. • denotes exhibition catalogues Hope Sandrow 10

Selected Collections: Public and Private


Baltimore Museum of Art, Baltimore, MD

Corcoran Collection at the National Gallery of Art, Washington, DC

Henry Art Gallery

Houston Museum of Fine Arts, Houston, Texas

Metropolitan Museum of Art, NYC

Museum of Modern Art, NYC

New School for Social Research, NYC

The New York Historical, NYC

Parrish Art Museum, Southampton, NY

Whitney Museum of American Art, NYC

Eli Broad Foundation, Los Angeles, CA

Henry Buhl Foundation,

Jeffrey Deitch

C. B. Engelhard Foundation,

Equitable Life Assurance Society

Laura Flanders and Elizabeth Streb

Agnes Gund,

Dakis Joannou, Dorothy Lichtenstein

Vera List

Penny and David McCall

Stephania and Jamie McClennan

Adriana and Robert Mnuchin

David and Peg Ross

Gregg Smith

Sur Rodney Sur

West Family Collection, Weston Collection

COMMISSIONS and SPECIAL PROJECTS

2022 ongoing Nourishing Reciprocity: Artists in Collaboration Hope Sandrow, open air studio Shinnecock Hills spacetime with Kelly Dennis, Jeremy Dennis, Denise Silva Dennis, Brianna Hernandez Baurichter, Ma's House

2016 - 2018 The Fabric of Time, and Space curated by Virginia Shore and Claire D’Alba permanent installation United States Embassy Jakarta, Indonesia; Art in Embassies

2017 ongoing Founder, Chair Town of Southampton Arts and Culture Committee

2014 ongoing Sketches of Local History Shinnecock Canal Canoe Place

2007 - 2016 ongoing Save the Shinnecock Canal

2007 ongoing Happening Live open air studio Shinnecock Hills spacetime

2013 Hope Sandrow Genius Loci (Sky)gazing with Montauk Observatory January Parrish Art Museum curated with Andrea Grover Hope Sandrow Genius Loci Clairaudience with Carlos Lama, Ulf Skogsbergh, Parrish Art Museum curated with Andrea Grover

April 2013 Summer of Love curated by Hope Sandrow Artsites, Riverhead

2012 - 2013 Hope Sandrow Genius Loci, inaugural Platform Project Parrish Art Museum curated by Andrea Grover Southampton New York Hope Sandrow Genius Loci (Sky)gazing with Montauk Observatory November 2012 - January Parrish Art Museum

*Against the Grain, curated by Lowery Sims and Elizabeth Kirrane, Museum of Art and Design 2013 20-year Anniversary: Artist & Homeless Collaborative Arts Workshop, Whitney Museum of Art

2011 Hope Sandrow Endangered Species, LongHouse Reserve On & Off the Ground

2010 Hope Sandrow Which came first, Longhouse Reserve On & Off the Ground

2009 Hope Sandrow Catherine Gund and Family Portraits

2008 Hope Sandrow The Sky is Falling, Shinnecock Family Flock Portraits commissioned by Agnes Gund

Hope Sandrow How do you do Cock-a-doodle-do?; En Plein Air On the Road open air studio Shinnecock Hills spacetime Headstand: Geoff Hendricks and Hope Sandrow On the Road open air studio Shinnecock Hills spacetime Free Advice: Sur Rodney Sur and Hope Sandrow On the Road open air studio Shinnecock Hills spacetime Hope Sandrow 11

2007 Hope Sandrow When Dreams Collide Part II: Shinnecock Happening Online Now Southampton Historical Museum, Hope Sandrow Gissa Bu:(re)collecting an Americans Dream Hope Sandrow How do you do Cock-a-doodle-do? On the Road open air studio Shinnecock Hills spacetime

2006 – 07 Hope Sandrow Shinnecock: godt tegn, directed by Alanna Heiss PS1/MOMA, Hope Sandrow When Dreams Collide: Life, Art and the Pursuit of Happiness Southampton Historical Museum New York State Preservation League, Seven to Save: Gissa Bu

2005 *Hope Sandrow Eureka, Observational Findings: Mt. Vernon Park Contemporary Museum curated by Thom Collins and Cira Pascual Marquina, Baltimore, Md. Hope Sandrow Untitled Observations commissioned by Alannah, Hillary, and Galen Weston, Windsor Florida Hope Sandrow Visiting Artist, Gallery at Windsor Florida.

March 2005 2002 The Ten Thousand Things New York Review Books, cover art repro

1999 - 2001 *In Response to Place Komodo National Park, Indonesia curated by Andy Grundberg and The Nature Conservancy Komodo National Park, Indonesia

1997 Max Kozloff, Memories Spaces Time Hope Sandrow essay for Steven Kasher Gallery

1995 *Material Matters commissioned by Anne Pasternak Art at the Anchorage, Creative Time, NYC

1994-95 *Hope Sandrow Fragments: Self/History, Artist in the Community Southeastern Center for Contemporary Art curated by Susan Lubowsky Talbot and Jeff Fleming Winston Salem, N.C.

1993 The Other Side of the Rainbow, collaboration with artist Robin Tewes Hope Sandrow curator The Artist & Homeless Collaborative, Henry Street Settlement Visual Arts Gallery

1992 Flag for the Nineties curated with Kathleen Goncharov for Vera List, NYC.. 1991 New York Foundation for the Arts, Artists New Works Program ACT UP Billboard Blast curated by Jordon Crandall

1990 Homeless Artist, Artforum Project Page curated by Ida Panicelli, Artforum Summer Issue repros pages 120-121 Hope Sandrow Founded Artist & Homeless Collaborative 1989 Aerial Magazine curated by Phyllis Rosenzweig, Washington, D.C. repros

Hope Sandrow 12 1988 Publication Covers curated by Jean Foos, DIA Art Foundation New York

1987 Hope Sandrow commission Dakis Joannou, Athens, Greece curated by Jeffrey Deitch 1986 Hope Sandrow commission Adriana and Robert Mnuchin, NYC

AWARDS, FELLOWSHIPS, GRANTS

2017 (ongoing) NYFA Artist Fiscal Sponsorship open air studio spacetime

2007 New York State Preservation League, Seven to Save: Gissa Bu

1994 National Endowment for the Arts, Visual Artist Fellowship

Skowhegan School of Painting and Sculpture Governor’s Award

New York City HRA Volunteer Service Award

1993 New York City HRA Volunteer Service Award

Mayor Dinkins Superstar Award; Sony screen on Times Square

NYFA SOS Grant

1991-94  NYFA Artist New Works sponsor Artist & Homeless Collaborative 

1991 Manhattan Borough President's Citation for Excellence in the Arts

1990 ArtMatters Fellowship

National Endowment for the Arts, Visual Artists Special Projects Grant

1989 New York City HRA Volunteer Service Award

SELECTED BOOKS & CATALOGS

Ecoart in Action, N.V.Publications, includes the chapter Chance Encounter: Art, Life, and Activism in open air studio Shinnecock Hills spacetime 2021

The Spirit of Art as Activism, edited by Nina Felshin Bay Press. 1994. pp 251 - 282 repros reprinting 2021

Radical Presence: Black Performance in Contemporary Art curated by Valerie Cassel, Contemporary Arts Museum Houston 2013

*Crimes and Misdemeanors: Politics in US Art of the 1980’s curated by Thom Collins Contemporary Arts Center, Cinn., Ohio

Against the Grain, curated by Lowery Sims and Elizabeth Kirrane, Museum of Art and Design 2012

Dead or Alive, curated by Lowery Sims, Museum of Art and Design, NYC,  repro page 120

Observational Findings: MT Vernon Park, Contemporary Museum, Baltimore 2005 repro

The Forest: Politics, Poetics, and Practice curated by Kathleen Goncharov Nasher Museum, Duke University. NC. 2005  repros

East Village USA, curated by Dan Cameron, New Museum. 2004 p. 22

Aquaria, curated by Barbara Wally, Landes Museen, Austria, 2002 P. 15  color  repro p. 216 

Watermarks, curated by Patricia Phillips, Blum Art Gallery, 2003

A Creative Legacy, The National Endowment for the Arts, 2002, repro. P. 197

In Response to Place, curated by Andy Grundberg, Bullfinch Press, 2001 p. 21, pp. 148 – 157 repros

Hope Sandrow: Water Life, curated by Eugenie Tsai, Whitney Museum of American Art 1998

Hope Sandrow: Fragments: Self / History, curated by Susan LubowskyTalbott , SECCA 1995

Time Capsule A Concise Encyclopedia by Women Artists, edited by Robin Kahn Creative Time Lost and Found p 320

Andrea Wolper, Making Art, Reclaiming Lives, The Artist and Homeless Collaborative, But is it Art? The Spirit of Art as Activism, editor Nina Felshin,  Bay Press 1995

Skowhegan School of Painting and Sculpture Governor’s Award to Hope Sandrow essay by Thomas Sokolowski. page 7. 1994

Tradition and the Unpredictable, curated by Anne Tucker, Museum of Fine Arts, Houston. 1993 repros

The Subject of Rape, curated by Whitney Museum Independent Study Program  Monica Chau, Hannah J. L. Feldman, Jennifer Kabat, Hannah Kruse, Whitney Museum of American Art, NYC.

The Art of Advocacy, curated by Ellen O’Donnell Rankin, Aldrich Museum, Ct. 1991  p. 9

Blast, curated by Jordan Crandall  X-Art Foundation 1991. page 33

The Starving Artists Cookbook, curated by Paul & Melissa EIDIA

Dia De Los Muertos/Day of the Dead ,curated by Geno Rodriguez, Alternative Museum, NYC, 1990

Fantasies, Fables, and Fabrications: Photo-works from the 1980's, Herter Art Gallery curated by Curated by Trevor Richardson,  University of Massachusetts, Amherst, MA. 

Sequence (Con)Sequence, curated by Julia Ballerini, Blum Art Institute, Bard College, NY, Aperture Press, 1989

American Photography of the Eighties, curated by Joshua P. Smith National Museum of American Art, Washington, DC1989

Readings in Contemporary Poetry, Publication Covers curated by Jean Foos, DIA Art Foundation, New York

Photography on the Edge, curated by Curtis Carter, Haggerty Museum of Art, Marquette University, MI., 1988

Working Spaces: New Work from New York, curated by Allison Ferris, University Art Gallery, State University of New York 1987

Contemporary Diptychs: Divided Visions, curated by Roni Feinstein , Whitney Museum of American Art, 1987

Painting and Sculpture Today, Indianapolis Museum of Art Biennial, 1986

Les Recontres D'Arles, curated by Francoise Hebel, Aries, France, 1986

Hope and Fear/ Hope Sandrow Silver Prints, essay and curated by Curtis Carter, Haggerty Museum, Milwaukee, 1986.

Hope & Fear, essay by Ben Lifson, Gracie Mansion Gallery, 1986

Directions 1986 Toward the Baroque, curated by Phyllis Rosenzweig, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution Press, 1986

Neo York, curated by Mary Looker and Phyllis Plous , University Art Museum, University of California Santa Barbara, CA, 1984

East Village Art in Berlin, Zellermayer Galerie, Berlin, 1984.

Investigations: Face to Face curated by Paula Marincola, Institute of Contemporary Art, Philadelphia, PA, 1984

SELECTED LECTURES, WORKSHOPS, PANELS, PERFORMANCES

Pollock-Krasner House and Study Center Stony Brook University, Artist talk March 10, 4:00 - 5:00 p.m 

Southampton Art Center Artist talk December 13 2021 Southampton New York

Robert Wilsons Watermill Center January 2019 Nights @ the Round Table guest speaker

PS 122, Visual Aids and the Red Ribbon: Creating an icon Performance Space NY Oct 10 2018

Stone Barns Center for Food and Agriculture curated by Jill Isenbarger, guest speaker June 2016

Alex Jovanovich, Artforum, Hope Sandrow speaks with artforum.com, interview, June 2016

Grey Art Gallery, Hope Sandrow Free Advice with Sur Rodney Sur  Radical Presence Sept 9, 2013

Art Sites, Hope Sandrow Free Advice with Sur Rodney Sur Summer of Love July 2013

Parrish Art Museum Hope Sandrow Genius Loci Clairaudience with Carlos Lama, Ulf Skogsbergh, April 2013

Parrish Art Museum Hope Sandrow Genius Loci (Sky)gazing with Montauk Observatory November 2012 - January 2013

Parrish Art Museum, Hope Sandrow Genius Loci Free Advice with Sur Rodney Sur November 2012

Parrish Art Museum, Hope Sandrow Genius Loci Floored with Elke Luyten, Kira Alker

Parrish Art Museum, Lightning Round guest speaker curated by Andrea Grover October 2011

John Jermain Library, Sag Harbor, guest speaker June 2011

Enigma of A Litmus test: Caterina Verde and Pasha Radetzki with Hope Sandrow On the Road open air studio spacetime Shinnecock Hills 2010

Hope Sandrow: How do you do Cock-a-doodle-do?; En Plein Air on the road open air Studio Shinnecock Hills spacetime

Hope Sandrow: Headstand: Geoff Hendricks On the Road  open air Studio Shinnecock Hills spacetime 2008

Hope Sandrow: Free Advice: Sur Rodney Sur  On the Road  open air Studio Shinnecock Hills spacetime 2008

Bluestar Arts Center, guest speaker, September 2005

Gallery at Windsor, Visiting Artist. March 2005

Observational Findings Hope Sandrow Contemporary Museum, Baltimore MD live performance Mt. Vernon Park

New Museum, East Village USA, Art Table. December 2004

Chicago Cultural Center, Artists and Critics Panel, January 2004

Scottsdale Museum of Contemporary Art, guest lecturer curated by Susan Krane, October 2003

Houston  Museum of Science, artist panel curated by Andy Grundberg, February 2002

School of Visual Arts, NYC. guest lecturer curated by Gail LeBoff, February 1998

Weatherspoon Art Gallery, NC. Artist's panel curated by Nancy Doll, September 1998

School of Visual Arts, NYC. guest lecturer, September 1998

Hebrew Union College, NYC. Artist's panel curated by Laura Kruger November 9, 1997

Block Gallery, Northwestern University, Evanston, Ill. guest speaker curated Andy Grundberg. April 29, 1995.

Cooper Union, NYC. guest speaker. March 29, 1996

Bard College, Center for Curatorial Studies, Conversations, guest speaker. March 1, 1995

Williams College, Williamstown, Mass. guest speaker. Feb 13,1995

Southeastern Center for Contemporary Art, Winston-Salem, NC. guest lecturer. Jan 1995.

Winston Salem State University, Winston-Salem, North Carolina. guest speaker. Dec 1994

Wake Forest University, Winston-Salem, North Carolina. guest speaker. November 1994.

Wake Forest University, Winston-Salem, North Carolina. Artist in Residence curated by Susan Lubowsky Talbott, November 1994

Thread Waxing Space curated by Nancy Spero Violence and Men Artists Speak the Visual Language of Survival panel discussion NYC. 1994

Hyde Collection, Glen Falls, N.Y. guest speaker curated by Kathleen Monaghan  March 1994

Women’s Caucus on Art, The A&HC curated by nLowery Stokes Sims, College Arts Association, NYC February 15, 1994

Wake Forest University, Winston-Salem, North Carolina. Artist in Residence curated by Susan Lubowsky Talbott. November 1994

Winston Salem State University, Winston-Salem, North Carolina. guest speaker. Dec 1994

Arts & Business Council, The Arts and Social Causes: Corporate Support, March 15, 1993.

Sawtooth Center for Visual Arts and Arts Council of Winston Salem, guest lecturer, Oct. 1993

Arts International, Crossing Cultures, roundtable, Barcelona, Spain. June 1993.

Whitney Museum of American Art at Equitable, guest lecturer, Dirt & Domesticity, June 1992

School of Visual Arts, NYC, guest lecturer, December 1991

Montclair State College, Montclair, NJ, guest lecturer, April 1991

Feminist Art and Art History Conference. Barnard College. October 19, 1991

Art In General, Homelessness and the Arts, guest speaker curated by Holly Block 1991 NYC

Emanu-el Midtown YM-YWHA, NYC, Women Artists, guest panel speaker, February 1988

Haggerty Museum, Milwaukee, guest lecturer, September 1986

Hirshhorn Museum, An Evening with Peter Fleps and Hope Sandrow, Directions 1986 exhibition curated by Phyllis Rosenzweig .

Hirshhorn Museum, New Vistas, artist and critics panel curated by Phyllis Rosenzweig, March 1986

Bard College, Rhinecliff, NY, guest lecturer, July 26, 1985

University Art Museum, Santa Barbara, guest speaker on panel curated by Phyllis Plous and Mary Looker, November 1984 

SELECTED PUBLICATIONS

Tom Gogola, Hope Sandrow Springs Eternal, Southampton Press Jan 31, 2024

Alex Greenberger, The 100 Greatest New York City Artworks, Ranked, ARTnews August 29, 2023

Heather Buchanan, Art for Change: Hope Sandrow’s Art Activism Transforms Lives Hamptons Real Estate Showcase p42

Shanti Escalante-De Mattei, How a New York Artist Used Her Work to Offer a Respite for Homeless Women During the ’90s ARTnews March 17, 2022

Roger Clark, New exhibit tells the stories of NYC's homeless through art Spectrum News NY1 January 11, 2022

Essence Magazine, 19 Winter Art Exhibitions To See: Art For Change: The Artist & Homeless Collaborative – New-York Historical Society December 13, 2021

Mark Segal, Hope Sandrow: The Courage to Create Anew,  Easthampton Star November 11, 2021

Mark Segal, Connecting Artists and the Public, Easthampton Star July 9 2020 The Conversation Art Podcast

Holland Cotter, Thomas Sokolowski, 70, Dies; Put Art in the Service of AIDS Activism New York Times May 13, 2020

All About photo.com, Tim Greathouse: Albeit February 9, 2020

Trenton Staube, A 1980s Artist Lost to AIDS Gets Rediscovered in 2020 January 2020

Michael Shaw, Gracie Mansion, legendary New York art dealer– from galleries in the East Village to SoHo to Chelsea, and then on to online auctions

Elia Alba’s, The Supper Club Dec 2019 Sur Rodney Sur

Skowhegan Honorees, Skowhegan 2019

Andrew Belonksy, The Red Ribbon: An Oral History Magenta December 2019

Valerie Gordon, UPDATE: Great Blue Heron Released At Shinnecock Bay 27east.com

Jen Newman New Arts And Culture Committee Created In Southampton Town 27east.com April 26, 2017

Jen Newman, Southampton Town Board Repeals PDD Law On Tuesday 27east.com July 12, 2017

Julia Halsey, Southampton Arts And Culture Committee To Hold First Meeting On June 19, 27east.com June 11, 2017

Bridget LeRoy, Southampton Town Has High Hopes For New Arts And Culture Committee 27east.com May 16, 2017

Lauren Cavalli, Judge Rules In Favor of Artist Hope Sandrow in Lawsuit Against Developers, artforum.com, September 12, 2016

Amanda Bernocco, Neighbors Win Round Southampton Press, Sept 8, 2016 Eastern Edition, 

Alex Jovanovich, Artforum, Hope Sandrow speaks with artforum.com, 14-minute edited interview, June 2016

Dianne B, Dirtier August 8, 2013

Lee Magill, Against the Grain is open at the Museum of Arts and Design, Timeout Kids March 21, 2013

Annette Hinkle, Clairaudience Elevates Sound to an Art Form, Sag Harbor Express March 20, 2013

Joyce Beckenstein, Live Media, Feature Article Sculpture Magazine March/April 2013

Joyce Beckenstein, Nature Incorporated A group show at art sites in Riverhead, New York  Art of the Times November 2012

Barbara A. MacAdam, A Barn by Any Other Name,  Artnews November 2012

Steve Parks, Parrish Art Museum gets Watermill Home, Long Island Newsday,  October 31, 2012

Emily J. Weitz, When Chickens Change a Life, Sag Harbor Express,  June 2, 2011 Front Page

Gabrielle Selz, The Egg, Inside and Out, Huffington Post Arts,  April 19, 2011 

Veronica Roberts, An Exchange with Sol LeWitt, Fluent Collaborative February 18, 2011

The Easthampton Star, Planters On and off the Ground, LongHouse Reserve June 30 2011 repro  Aa3

The Southampton Press, LongHouse Reserve Container Show, June 29 repros R2

Janet Goleas, Hope Sandrow at Art Sites, Blink August 28, 2010

Olive Peterson, Artsites curated by Glynis Berry and Hideaki Ariizumi, Riverhead NY

Nicole Bengiveno, LensBlog New York Times  with online slide show of Sandrow’s work

Penelope Green, An Artist Feathering Her Nest, New York Times,  July 16, 2009, front page, D1, D5 and with online slide show

Katy Niner, Sounding the Alarm, Jackson Hole News,  Sept 9, 2009

Terese Karmel, Bird Watching from the Inside, March 20 2008 p 10 

Sur Rodney Sur, Radical Art Chick Hope Sandrow, Pussy Winter Issue 3 

APT Insight, Creative Capital Hope Sandrow, p 48 

Beth Young, Hope Sandrow Traffic Flows; Roadside Art Stalls Southampton Press, April 17 2008 repro

Benjamin Genocchio, Looking into the world of Genomes and Seeing an Unreliable Future New York Times March 2 2008 repro p10

Creating Art Promoting Change curated by Shulamit Reinharz Hadassah Brandeis Institute

Benjamin Genocchio, Digging in to Nurture Nature, New York Times,  May 20, 2007 repros

Pat Rogers, Cultivating Ideas on Environmental Art, Southampton Press May 13, 2007 repros

Valerie Cotsalas, Seeking to Preserve Eccentricity, New York Times March 4, 2007 repros

Jess Frost, Recalling an American Dream, East Hampton Star February 1, 2007 repros

Mary Cummings, A Walk in the Woods Brings Welcome Surprise For Artist, Southampton Press Jan 18, 2007 repros

Sag Harbor Express, Sandrow’s American Dream Sag Harbor Express Jan 18, 2007  p 8 repro

Elizabeth Fasolino, The Art Scene: Hope Sandrow Photos The East Hampton Star Jan 18, 2007

Alex McNear, Lodge Makes Preservation List, Southampton Press Jan 25, 2007

Ambrose Clancy, Only Two of Historic Plots will be Saved, Southampton Press,  Sept 28, 2006

Ambrose Clancy, Hidden Away, Southampton Press, September 14, 2006

Ambrose Clancy, Town and Developer Strike Deal, Southampton Press,  August 24, 2006 repros

Michele Natale, Nasher show probes man-earth links, New Observer  October 30, 2005

Mark Feeney, Examining nature’s beauty with bold visions”, The Boston Globe August 3, 2005

Wendy Ward, Critics Picks “Eureka” Baltimore City Paper May  4, 2005.

Joe Dirosa, East Village USA, New York Artist Series January 21, 2005

Artdaily.com, Crimes and Misdemeanors: Politics in US Art of the 1980’s, September 22, 2004

Victor Cassidy, Artnet February  22, 2004,  repro

Jerry Stein, Art of ‘80s makes a political statement at CAC, The Cincinnati Post, Dec 8, 2003

Craig Wallach, New Exhibit hails the beauty of nature, Phoenix Times  September 4, 2003

Judy Wagonfield, Photo Exhibit depicts 12 ‘last great places’, Seattle Post- intelligencer August 22, 2002

Robyn Russo, Discovering the World’s Secret Spots, The Hoya,  Sept. 28, 2001

Frank Van Riper, Camera Works, Washington Post, November 5, 2001

Michael O’Sullivan, Putting “Great Places” In Their Place, The Washington Post Sept. 28, 2001, PWE49, repro.

Roxanne Roberts, Preserved on Camera, and on the Planet, The Washington Post Sept. 11, 2001

Mary Cummings, Artist Strives To Express the Inexpressable,  Southampton Press,  May 4, 2000, pp. B1, B6 repro

Erica-Lynn Huberty, Guild Hall Offers an Art and Memory Sampler, Southampton Press, Dec. 9, 1999, p. B7

Liza Kirwin, EV in the Press, Artforum October 1999, p. 127

Walter Robinson, Cool water, ARTNET, August 13, 1998 cover color repro & review Water Life

Jeffrey Kastner, Branching Out, ART News November 1998. p. 140, repro

Roberta Smith, Weekend Art in Review Hope Sandrow Water Life, New York Times September 11, 1998. p E38

Erica-Lynn Gambino, Installation's Imagery Informed by Tidal Drama, Southampton Press, Sept.10, 1998.repo's B1-6

Dispatch, Photographic perspective displayed at Weatherspoon Art Gallery, July 23, 1998 repro

Tom Patterson, Building on the Body, Winston-Salem Journal August 16, 1998. p. E3 repro

New Yorker, Goings On About Town. August 24 & 31, 1998. p 32

Aileen Jacobson, Art Captures patterns of destruction on the isle Newsday

Vince Aletti, Voice Choices Short List Hope Sandrow Village Voice August 18, 1998. p 69

Whitney Scott, Must Picks of the Weekend Hope Sandrow, New York Post,. Aug. 15, 1998. p 27 repro

Sunday New York Times Arts & Leisure Guide, b&w repo. July 26, 1998 repro

Vince Aletti, Voice Choices, Hope Sandrow, The Village Voice, October 16, 1997

Sarah Blustain, Battered Images Reflect Rough Realities The Forward October 1997 

John Mendelsohn, The Scream Jewish Week The Arts repro

Robert Hicks,  A “survivor” creates activist images Hope Sandrow Memories Spaces Time, Downtown Express Photography repro 

Kim Levin, Voice Choices, Affirmative Actions: Artists at Work, Village Voice July 18, 1995

Roberta Smith, Anchor, and Balm for Restless Souls, New York Times,  pp. C1 & C22. Weekend, Aug.  4, 1995

Grant Kester, Aesthetic Evangelists, AfterImage, January 1995. pp. 5-11, repros

Kim  Underwood, Artist, and the Community Hope Sandrow Winston-Salem Journal repro B10

Margaret Shearin, The Art of Boxing Hope Sandrow, Triad p 15 repro

Kim Levin, Voice Choices, Village Voice, Dec 20, 1994.

Anne Quirin, New York fur Fauen, Elster-Verlag, 1994. pp 248-255, repros

Exhibition Highlights in 1993, Art in America Annual, Summer 1994

Linda Ellingsworth, Hyde’s Outreach: Linking Local Artists & GF Youth Center, The Chronicle repro p 22

P.C. Smith, Op/Ed: Today’s Art Merges Object and Criticism The New York Times October 30, 1994

Marvin Howe, The City The Return of the Red Ribbon, New York Times, April 10 1994  

Art in America, NEA Fellowships for Artists, 1994

P.C. Smith, Complex Visions, Art in America,  March 1993, pp. 66-75. repro

Elizabeth Hess, The Subject of Rape. Village Voice July 13, 1993. page 82

Phyllis Kriegel, Artist & Homeless Collaborative, New Directions for Women, Jan-Feb 1993

Andrea Wolper, Sheltered With a Resume  New York Newsday September 8 p29

Joan S. Rodgers, A Time to tell The Arts Winston-Salem Journal October 24 1993 G2 

Jeff Gates, The Cultural Working Class Perspectives, High Performance Spring

Susan Kendzulak, Our Mothers, Our Grandmothers, The WAÇ Circle Volume1, Issue 1 September 1992 

Robert Mahoney, Second Day Without Art, Flash Art, November/December 1990, pp. 177

Valerie White, Unusual artless exhibit depicts a realistic picture of sexual abuse, The Register Star Hudson NY September 6

Elizabeth Hess, No Place Like Home, Artforum, October 1991, pp. 95-98 repro

Lucy Bowditch, Changing New York, Photography in New York.pp.6

Kathy Dobie, The New Volunteers Vogue Magazine, August pp 213-215, 316 - 317

Grazia Quaroni. Le donne dell’arte New York, Gracie Mansion and Hope Sandrow Marie Clair (Italian), October 1991, pp.123-131 repros

Robert Craddock, Inside the Shelter Project MOMA Education Newsletter, Autumn/Winter 

Robert Atkins, Art as Shelter, Village Voice, Nov. 27, 1990

P.C. Smith, Hope Sandrow, Art in America, April, 1990, pg. 264 repro

Vince Aletti, Voice Choice Hope Sandrow, Village Voice, Oct. 10, 1989

Phyllis Rosenzweig, Aerial Magazine, Washington, D.C. repros 1989

Estelle Jussim, The Cutting Edge, Boston Review, October 1989, p. 5

Bill Jones, Born Again, Seeing the End of Photography, Arts, October 1989, pp. 72-77 repro

Ray Fashona, Visual Assault, Bard photography exhibit challenges viewers with a barrage of images, Dutchess Living Taconic Newspapers p 8-9

Robert Mahoney, Reviews: Group-UFO, Arts, Jan. 1988, p.110 repro

Vince Aletti, Voice Choice Hope Sandrow, Village Voice June 7, 1988

Peter Bach, Gracie Mansion’s Art Alive, On Duty 1988

Saturday Review: Hope Sandrow, briefings Tears for fears, June 1988 repro p14

Andy Grundberg, From New Talent, Bold New Images, New York Times, Nov. 13, 1987, pp.Cl, C23

Vince Aletti, Photography Choices: Group UFO, Village Voice, Nov. 10, 1987, p.49

Liz Lufkin, The Multiple Image Approach, San Francisco Chronicle, June 21, 1987, p.13

Carlo McCormick, Art Group-UFO Paper, November 1987

Carlo McCormick, Guide to East Village Artists  Arts p 10 

Diptychs Show Art Business News November p 15 

Books and Catalogues Received, The Photo Review, Spring 1986, p.19

Leone Lawrence, Reviews: Directions 1986, ARTNEWS April 1986, pp.144-5

Museum & Dealer Catalogues, The Print Collector's Newsletter,  May/June 1986 repro

Pamela Kessler, Going Off in All 'Directions Washington Post Weekend Section repro 

Dinah Price, Sex and More at Pyramid New York Post Feb 29 repro

Dinah Prince, Hope Sandrow Downtown New York Post

Paul Richard, Hirshhorn’s Directions: A Jarring Mix of Good & Bad The Washington Post C7 February 8 

James Auer, Sandrow’s photos bridge time, space The Milwaukee Journal August 24 p Se repro 

Shelley da Cunha, Names & Faces LA Extra May 30 p x-4 repro

Kim Van Antwerpen, Hope Sandrow: New exhibit mixes art and photography Marquette Tribune Milwaukee repro 

Dean Jensen, Hope Sandrow: Photographer crosses boundaries of reality, Milwaukee Sentinel August 15 repro  

Lee Fleming, Nature Gets the Treatment, Washington Review, April/May repro p 8 

Jane Addams Allen, Hirshhorn moves in unequal “Directions” p 1B and 2 B 

Jane Addams Allen, Exhibiting an Absence of Judgement, Insight pp 72-73 

Andy Sichel Hindsites/: Hope  Sandrow Art Criticism Downtown April 9 repro

Ed Rubin, The East Village Fashion Insitute of Technology New Art Examiner p 52

Nicolas Coleman, Urban Textures, Washington Post, January 1, 1985, p.B7 repro

Dinah Prince, Girls Girls Girls Metro Daily News April 22  p25 repros 

J.W. Mahoney, The East Village Sampler, New Art Examiner, April 1985, p.61 repro

P.C. Smith, Election Issues: A timely artistic response, Arts, Nov. 1984, pp.126-7 repro

Betsy Sussler, The Americas, Art, Poetry, Fiction, Film, Bomb, Spring 1984, p.48 repro

Nicolas Moufarrege, The Year After, Flash Art, Summer 1984, p.55

Carlo McCormick and Walter Robinson, Slouching Toward Avenue D, Art in America Summer 1984, pp.151 repro

Photographs by Hope Sandrow, Appearances, Fall 1984  repro

Nicolas Moufarrege, The Famous Show Flash Art January

Steve/Stuff 36, Hope Sandrow at the Zero One repro

Colin Westerbeek, New York Review section, Artforum, March 1980, p.73 repro

Bob Colacello, James Brady, Interview, 1980, p. 34 repro

CAPCOM reveals Pollution Spread: Cleaner Air Week Honors Dirt The Cherry Hill News October 19 1967 repro p 9

SELECTED INTERNATIONAL PUBLICATIONS

Von Andreas Holl, Frankfurter Rundschau, Gepinkelt wird im Stehen, June 11, 2000

Grazia Quaroni, New York. Le donne dell’arte, Marie Clair (Italian), October 1991, pp.123-131 repros

Andrea Muller-Pohle, Hope Sandrow, European Photography,  July/August/September 1986 repro

Barbara Tosi, La scoperta dell’ America, Flash Art Italian Edition, dec 1985/Jan 1986 p 56-57

-------, East Village, The Paris Free Voice  Feb. 1985 repro

-------, New York, Juliet, Oct/Nov. 1985, p.29

Jennifer Clark, East Village, Rome International Courier Oct 16

Maria Nadotti, Arrivano gli Americani, publication unknown,  Italy

Katherine Texier, New York Creation: Effervescences, Autremont, 1984, Paris, France

Patrick Roegires, Trois Jeunes Artistes Americans,Revolutions, Paris, France

Francis Granon, Photos sur Canapes, Telerama, 1/30/85, Paris, France

SELECTED MEDIA

Free Advice Sur Rodney Sur and Hope Sandrow, Events Hauser & Wirth Institute

UnHomeless NYC: Hope Sandrow with Nina Felshin, The Artist and Homeless Collaborative 2023

Roger Clark, Spectrum News NY1, New exhibit tells the stories of NYC's homeless through art January 11, 2022

Alex Jovanovich, Artforum, Hope Sandrow speaks with artforum.com,14-minute interview, June 2016

Joyce Raimondo, Art of Change with artist Hope Sandrow, Pollock-Krasner House and Study Center, Easthampton NY March 2022

John Dankovosky, WHERE WE LIVE: An Exchange about Sol LeWitt,  WNPR January 12, 2011