Hope Sandrow lives and works in her studio 24/7: the multidisciplinary art installation open air studio Shinnecock Hills in Southampton, New York - ongoing since 2006. Her practice in her loft in the Flatiron District of Manhattan from 1985 - 2006. Sandrow lives with her husband, composer, musician Ulf Skogsbergh.
Selected solo exhibitions, installations and collaborations
SELECTED SOLO EXHIBITIONS and INSTALLATIONS
2025 The Study Hope is the thing with feathers on view the ongoing installation open air studio Shinnecock Hills spacetime. A NYFA-sponsored Artist Project
2024 The Study Lookback Window time in the series I won’t carry your water I’m not your succulent on view the ongoing installation open air studio Shinnecock Hills spacetime. A NYFA-sponsored Artist Project.
2023 The Study I won’t carry your water I’m not your succulent on view the ongoing installation open air studio Shinnecock Hills spacetime. A NYFA-sponsored Artist Project.
2022 The Study I’m not your succulent on view the ongoing installation open air Studio Shinnecock Hills spacetime. A NYFA Artist Project
2021-2022 Art for Change: The Artist and Homeless Collaborative at The New York Historical (postponed June 26 - Sept 27, 2020) curated by Rebecca Klassen and Laura Mogulescu December 3, 2021- April 3, 2021
2022 - 2021 The Study (Re)collecting An Artist’s Dream on view the ongoing installation open air Studio Shinnecock Hills spacetime. A NYFA Artist Project.
2020 The Studies The Sky is Falling (too) and Women’s Study Room on view the ongoing installation open air Studio Shinnecock Hills spacetime a NYFA Artist Project
2019 The Studies When Dreams Collide; Portrait of a Chicken as an Egg(candled) within a Golden rectangle; and Coop LeWitt: (re)constructing Sol LeWitt on view the ongoing installation open air Studio Shinnecock Hills spacetime a NYFA Artist Project
2018 *The fabric of time and space open air studio, permanent installation United States Embassy Jakarta, Indonesia November 2018 commissioned by Virginia Shore and Claire D’Alba Art in Embassies Department of State.
The Study Portrait of a Chicken as an Egg within a Golden Rectangle on view the ongoing installation open air Studio Shinnecock Hills spacetime a NYFA Artist Project
2017 on view, the ongoing installation open air Studio Shinnecock Hills spacetime. A NYFA Artist Project.
2016 - 2018 *Hope Sandrow: The fabric of time and space open air studio commissioned for permanent installation by the United States State Department Art in Embassies, curators Virginia Shore and Claire D’Alba
2016 The Study The fabric of time and space on view the ongoing installation open air Studio Shinnecock Hills spacetime.
2015 The Study Observational Findings Gallus Gallus on view the ongoing installation open air Studio Shinnecock Hills spacetime.
2014 on view, the ongoing installation open air Studio Shinnecock Hills spacetime Hope Sandrow 2 ASEAN Embassy, Jakarta, Indonesia
2014 (ongoing) Hope Sandrow Sketches of Local History open air studio Shinnecock Hill spacetime
2013 Hope Sandrow Genius Loci (Sky)gazing with Montauk Observatory January Parrish Art Museum curated with Andrea Grover
The Studies Sky(gaze) within a Cube and Observational Findings Drawn in Dirt on view the ongoing installation open air Studio Shinnecock Hills spacetime
Hope Sandrow Genius Loci Clairaudience with Carlos Lama, Ulf Skogsbergh, Parrish Art Museum curated with Andrea Grover April 2013
2012 -13 Hope Sandrow Genius Loci, Inaugural Platform Project, Parrish Art Museum curated by Andrea Grover Southampton New York Hope.
Sandrow Genius Loci (Sky)gazing with Montauk Observatory November 2012 - January Parrish Art Museum curated with Andrea Grover
2012 The video Open Air Studio on view the ongoing installation open air Studio Shinnecock Hills spacetime created for the exhibit Against the Grain, Museum of Art and Design curated by Lowery Stokes Sims and Elizabeth Kirrane.
Hope Sandrow Genius Loci Floored with Elke Luyten, Kira Alker Parrish Art Museum curated with Andrea Grover Southampton New York.
Hope Sandrow Genius Loci Free Advice with Sur Rodney Sur Parrish Art Museum curated by Andrea Grover Southampton New York
2011 on view, the ongoing installation open air Studio Shinnecock Hills spacetime
2010 on view, the ongoing installation open air Studio Shinnecock Hills spacetime Hope Sandrow Open Air Studio Shinnecock Hills spacetime Artsites, Riverhead NY
2009 Hope Sandrow: Catherine Gund Family Portraits The Study The Sky is Falling
on view the ongoing installation open air Studio Shinnecock Hills spacetime
2008 - Hope Sandrow: The Sky is Falling, Shinnecock Family Flock Portraits commissioned by Agnes Gund
Hope Sandrow: How do you do Cock-a-doodle-do?; En Plein Air on the road on view the ongoing installation open air Studio Shinnecock Hills spacetime
Hope Sandrow: Headstand: Geoff Hendricks On the Road open air Studio Shinnecock Hills spacetime
Hope Sandrow: Free Advice: Sur Rodney Sur On the Road open air Studio Shinnecock Hills spacetime
2007 - 2016 The Study on the road on view the ongoing installation open air Studio Shinnecock Hills spacetime
Hope Sandrow 3 2007 (Re)Collecting an American’s Dream, Southampton Historical Museum curated by Tom Edmond, New York Part I: Shinnecock When Dreams Collide
Hope Sandrow, Web Project, Southampton Historical Museum, Part II: Shinnecock, When Dreams Collide
Hope Sandrow: How do you do Cock-a-doodle-do?; En Plein Air on the road on view the ongoing installation open air Studio Shinnecock Hills spacetime
The Studies on the road; Observational Findings, Shinnecock Family Flock Hens pictured with chicks; Observational Findings Untitled (lay bare); and Happening Live on view the ongoing installation open air Studio Shinnecock Hills spacetime
2006 – 07 Hope Sandrow: Godt Tegn Open Air Studio Shinnecock Hills spacetime, International Projects, PS1/MOMA curated by Alanna Heiss.
The Study (Re)Collecting an American’s Dream on view the ongoing installation open air Studio Shinnecock Hills spacetime
2006 Chance Encounter: Tuesday, March 28 when Sandrow’s path crossed with the Padovana white cockerel on Shinnecock Hills. He followed Sandrow home, where he roosted in a cedar tree. Subsequently, founding the ongoing installation open air Studio Shinnecock Hills spacetime
2005 - 06 *Eureka, Project Room, The Contemporary Museum curated by Thom Collins and Cira Pascual Marquina, Baltimore, Md.
Observational Findings: Mt. Vernon Park
1998 *Hope Sandrow Water Life, Whitney Museum of American Art Altria /Philip Morris curated by Eugenie Tsai, NYC
1997 Hope Sandrow New Work, University of the Arts, Philadelphia, PA
*Hope Sandrow Memories Spaces Time Steven Kasher Gallery essay by Max Kozloff
1995 *Fragments curated by Geno Rodriguez, Alternative Museum, NYC
*Hope Sandrow Material Matters Art in the Anchorage, Creative Time commissioned by Anne Pasternak NYC.
1994-95 *Hope Sandrow Fragments: Self/History, Artist in the Community Southeastern Center for Contemporary Art curated by Susan Lubowsky Talbot and Jeff Fleming, Winston Salem, N.C.
1993 On the Way Home: The Artist & Homeless Collaborative curated by Hope Sandrow with Susan Fleminger NYC. Henry Street Settlement, NYC.
1992 - 94 NYFA Artist New Works sponsor Artist & Homeless Collaborative 1992 Hope Sandrow Flag for the Nineties, curated by Kathleen Goncharov commissioned for Vera List, NYC
1991 Hope Sandrow Disposable curated by Thomas Sokolowski Grey Art Museum, New York University. NYC
Hope Sandrow: Three Views curated by Holly Block, Art in General, NYC.
1989 Hope Sandrow Response(mounted) Gracie Mansion Gallery, NYC Hope Sandrow 4
1988 Hope Sandrow New Works Gracie Mansion Gallery, NYC
1987 Hope Sandrow New Work University of the Arts, Phila., Pa.
1986 *Hope Sandrow Hope and Fear curated and essay by Curtis Carter Haggerty Museum of Art, Marquette University, Milwaukee, WI. *Hope Sandrow: Hope & Fear Gracie Mansion Gallery, NYC
1985 Hope Sandrow Back on the Streets Zero One Gallery, Los Angeles Hope Sandrow Back on the Streets Greathouse Gallery, NYC
1984 Hope Sandrow Philadelphia College of Art curated by Ben Lifson
1983 Hope Sandrow Men on the Streets Zero One Gallery, Los Angeles
SELECTED GROUP EXHIBITIONS
2023 I won’t carry your water, I’m not your succulent in collaboration with Brianna Hernandez on view On & Off the Ground, Longhouse Reserve curated by Joanne Sohn Easthampton New York
Unhomeless NYC curated by Maureen Connor, Midori Yamamura, Tommy Mintz Kingsborough Art Museum
2021 Clearing the Air Southampton Arts Center curated by Jay Davis September 13 - December 19
2020-2024 Open Air Studio Shinnecock Hills spacetime: (Re)Collecting an Artist’s Dream curated by Hope Sandrow
Artist Stories from the Pandemic curated by Corinne Erni, Parrish Art Museum
2019 - 2020 Nicolas Moufarrege Recognize My Sign, CAMH; Queens Museum curated by Dean Dadarko
2019 The Summer of 1982 curated by Dan Cameron, Johannes Vogt Gallery NYC
*Radical Presence: Black Performance in Contemporary Art Free Advice collaboration with Sur Rodney Sur
Contemporary Arts Museum curated by Valerie Cassel Oliver Houston; Grey Art Gallery
Sept - Dec, 2013, live performance Sept 9 *White Hot and Blue 2 curated by Jack Lenor Larsen, LongHouse Reserve repro p 45
2012 - 2013 New Acquisitions, Parrish Art Museum curated by Andrea Grover November
2014 -15 *Radical Presence: Black Performance in Contemporary Art collaboration with Sur Rodney Sur, Yerba Buena Art Center June 12 - October 12, 2015, Walker Art Center
July 24, 2014- Jan 2015 2012 - 14 *Against the Grain, Museum of Art and Design curated by Lowery Stokes Sims and Elizabeth Kirrane NYC;
Mint Museum, North Carolina; Museum of Art Fort Lauderdale, Florida
*Radical Presence: Black Performance in Contemporary Art Free Advice collaboration with Sur Rodney Sur Contemporary Arts Museum curated by Valerie Cassel Oliver Houston; Grey Art Gallery
Sept-Dec 2013, live performance Sept 9 *White Hot and Blue 2 curated by Jack Lenor Larsen LongHouse Reserve repro p 45
2012 - 2013 New Acquisitions, Parrish Art Museum curated by Andrea Grover November Hope Sandrow 5 *Out (o) Fashion Photography: Embracing Beauty curated by Deborah Willis,
Henry Art Gallery, Seattle March 2 - Sept 1
The Moby Project, curated by Janet Goleas Mulford Farm, Easthampton NY
September Paper Cuts, organized by Sara Greenberger Rafferty/David Kennedy Cutler, NY Art Book Fair at PS1/MOMA NY
Summer of Love, organized by Hope Sandrow, Art Sites Riverhead New York
2012 Nature Incorporated, Artsites curated by Glynis Berry, Riverhead, New York
2011 *An Exchange with Sol LeWitt, Mass MOCA Curated by Regine Basha Hope Sandrow
Endangered Species, On & Off the Ground, curated by Jack Lenor Larsen, LongHouse Reserve Easthampton New York
*Environmental Art curated by Mark Fasanell, Sustainability Studies Art Gallery, Stony Brook University New York repro
*Voluptuous Panic Robert Wilson Watermill Center Benefit July New York repro 2010
Hope Sandrow Which came first, On & Off the Ground, curated by Jack Lenor Larsen LongHouse Reserve Easthampton New York
*Dead or Alive, Lowery Sims, Museum of Art and Design, NYC,
2010 repro page 120 2009 Gaia and Global Warming: Women Artists Championing Nature curated by Lowery Stokes Sims, Jackson Hole Art Center, Wyoming
2008 Ornithology, Storrs Gallery curated by Barry Rosenberg at University of Conn, Ct I Dream of Genomes, Islip Art Museum curated by Janet Goleas New York
2007 *Call to Action, Artsites curated by Lillian Ball, Riverhead, New York Gallery of Windsor curated by Kelly Paulson, Vero Beach, Florida
December - March 2005 - 06 *The Forest: Politics, Poetics, and Practice curated by Kathleen Goncharov, Nasher Museum of Art at Duke University North Carolina
*East Village USA curated by Dan Cameron, New Museum of Contemporary Art, NYC p. 22
*In Response to Place curated by Andy Grundberg, Boston Public Library, Mass; Bluestar Arts Center, San Antonio
*Crowd of the Person curated by Thom Collins, Contemporary Museum Baltimore MD repro
2004 East Village ASU curated by Rick Prol, B-Side Gallery. NYC.
December-January. *Crimes and Misdemeanors: Politics in US Art of the 1980’s curated by Thom Collins, Contemporary Arts Center, Cinn., Ohio
Hope Sandrow 6 *In Response to Place curated by Andy Grundberg, Chicago Cultural Center, Chicago, Ill; Cinncinatti Contemporary Arts Center, Cinn., Ohio; Gibbs Museum, Charleston, S.C.; Contemporary Arts Center, Virginia Beach, Va; Severin Gallery, Sun Valley, Idaho
2003 *Crimes and Misdemeanors: Politics in US Art of the 1980s curated by Thom Collins, Contemporary Arts Center, Cincinnati, Ohio
*Watermarks, Blum Art Gallery curated by Patrica Phillips, College of the Atlantic, Maine
*In Response to Place curated by Andy Grundberg, High Museum of Art, Atlanta Ga.; Indianapolis Museum of Art, Indianapolis;
Green Hill Center, Greensboro N.C.; Yellowstone Art Museum, Billings, Montana; Scottsdale Museum Contemporary Art, Ar. Immersion curated by Tara Ruth and Patricia Phillips Onisaburo Gallery, New York, NY 2002 *Aquaria, Landes Museen curated by Barbara Wally, Austria 15 color repro p. 216
*In Response to Place curated by Andy Grundberg, Houston Museum of Science, Houston, Texas; Bellevue Art Museum, Seattle, WA; Rhode Island School of Design, Providence Rhode Island; Minnesota Museum of American Art, St.Paul, Minn; Utah Museum of Natural History, Salt Lake City, Utah
2001 *In Response To Place curated by Andy Grundberg, Corcoran Gallery of Art Bullfinch Press, 2001 p. 21, pp. 148 – 157, color repros *
Snapshot, Contemporary Museum curated by Gary Sangster, Adam Lerner, Sarah Vezina, Baltimore, Md
*Notion of Motion curated by Karen Shaw, Islip Art Museum, NY.
*Two by Two for Aids and Art Dallas Museum of Art 1999
Souvenirs: Collecting, Memory and Material Culture curated by Ruth Appelhof, Guild Hall, East Hampton, NY
Souvenirs and Documents, 20 Years curated by Elyse Goldberg, Paola Morsiani, Calvin Reid, Deborah Will, P.S.122 Gallery, NYC.
1998 Bodies in Flux curated by Nancy Doll, Weatherspoon Art Gallery, Greensboro, North Carolina.
1997 *Rage/Resolution curated by Laura Kruger, Hebrew Union College, NYC. *Scratch Thread Waxing Space curated by Ellen Salpeter and Mel Chin NYC
1995 Fragments curated by Geno Rodriguez, Alternative Museum, NYC. *Inside Out curated by Marc J. Straus, Richard Klein, Douglas F. Maxwell, and Harry Philbrick Aldrich Museum of Contemporary Art, Ct.
1994 *Chasing Angels, Cristinerose Gallery, NYC. *Tradition and the Unpredictable The Allan Chasanoff Collection curated by Anne W. Tucker, The Museum of Fine Arts, Houston.
Hope Sandrow 7 1993 Contacts / Proofs curated by Gary Sangster, Jersey City Museum
*The Subject of Rape curated by Whitney Museum Independent Study Program Monica Chau, Hannah J. L. Feldman, Jennifer Kabat, Hannah Kruse, Whitney Museum of American Art, NYC.
On the Way Home curated by Hope Sandrow with Susan Fleminger, Henry Street Settlement, NYC.
1992 WAC, Art at the Anchorage curated by Creative Time Anne Pasternak
*Dirt & Domesticity, and the Construction of the Feminine curated by Independent Study program Jesus Fuenmayor, Kate Haug, Frazer Ward Cara Mertes, Whitney Museum of American Art
1991 *The Art of Advocacy curated by Ellen O’Donnell Rankin, Aldrich Museum.
Commission a Portrait Gallery Benefit, P.S. 122. curated by Thelma Golden, Ken Chu, Steve Keister NYC
Houston Museum of Fine Arts The Allan Chasanoff Photographic Collection 1990
*Day of the Dead curated by Geno Rodriguez, Fran Resch Alternative Museum, NYC. ps 10-11, 21, 25 Thoughts on Homelessness Hope Sandrow Notes on the Margin: A Framework in Focus, Gracie Mansion Gallery, NYC. Bad Girls curated by Corinne Robins, ALJIRA, Newark, NJ. 1989
*The Photography of Invention: American Pictures of the 1980s curated by Joshua P. Smith, National Museum of American Art, Washington, DC. Travels to: Museum of Contemporary Art, Chicago; Walker Arts Center, Minnesota
*Sequence (Con)Sequence: Photographic Multiples of the Eighties curated by Julia Ballerini Blum Art Institute, Bard College, New York
*Fantasies, Fables, and Fabrications: Photo-works from the l980s, Herter Art Gallery curated by Curated by Trevor Richardson, University of Massachusetts, Amherst, MA.
Travels to: Delaware Art Museum; Lamont Gallery, Phillips Academy, Exeter University of Missouri Art Gallery, St. Louis
The Seven Year Itch, Gracie Mansion Gallery, New York City 1988
*Photography on the Edge curated by Curtis Carter, Haggerty Museum of Art, Marquette University, Mil, WI. Kunst Rai, Amsterdam, The Netherlands.
Small Works, Gracie Mansion Gallery, NYC. 1987
*Large As Life: Contemporary Photography curated by Kellie Jones Henry Street Settlement, NYC: Jamaica Arts Center repro Arrangements for the Camera: A View of Contemporary Photography, Baltimore Museum of Art, Maryland Hope Sandrow 8
*Contemporary Diptychs: The New Shape of Content curated by Roni Feinstein, Whitney Museum of American Art at Equitable Center NYC and Fairfield, CT. catalogue repro p 8 *Fragments, San Francisco Camerawork, San Francisco, CA. repro
*Group UFO (photography) curated by Sur Rodney Sur Gracie Mansion Gallery NYC New acquisitions curated by Kathleen Goncharov New School for Social Research 1987
*Working Spaces: New Work from New York curated by Allison Ferris, University Art Gallery, State University of New York
Jan-Feb 1986 *Directions Biennial Toward the Baroque curated by Phylllis Rosenzweig, Hirshhorn Museum, Washington, DC. Sandrow. Stella, Morris, and Turrell catalogue Smithsonian Institution Press
*Hope and Fear/ Hope Sandrow Silver Prints, curated with essay by Curtis Carter, Haggerty Museum, Milwaukee,
1986 The East Village curated by Richard Martin, Harold Koda, Laura Sindebrand Fashion Institute of Technology, NYC.
*Biennial: Painting and Sculpture Today, lndianapolis Museum of Art repro Les Recontres D’Arles curated by Francoise Hebel, Aries, France, 1986 repro p 30 1985 The Discovery of America Wessel/O'Connor, Rome, Italy
East Village at the Au/Centre, Saidye Bronfman Center, Montreal, Canada
Three New York Artists, Vivianne Esters, Paris, France
East Village Sampler curated by Gracie Mansion Jones Troyer Gallery DC February
Knock Knock Who’s There, Gracie Mansion Gallery May London Art Fair, The London Olympia England
Recommendations 85 curated by Stacey Teele Kamikaze jan
East Infection curated by Carlo McCormick Zero One Gallery LA March 1984
*Neo York curated by Phyllis Plous and Mary Looker, University Art Museum, University of California at Santa Barbara California Cologne Art Fair, Cologne West Germany
*East Village Art in Berlin Zellermayer Galerie, Berlin,
1984 Zurich Art Fair, Zurich Switzerland
Climbing: The East Village curated by Carlo McCormick, Hal Bromm Gallery
Jan 7 Feb 4 Hope Sandrow 9 *Investigations: Face to Face curated by Paula Marincola, Institute of Contemporary Art Philadelphia, Pa. repro
The New Portrait curated by Jeffrey Deitch, P.S.1 Long Island City, NY.
New Galleries of the Lower East Side, curated by Helene Winer Artists Space NYC.
Limbo curated by Walter Robinson and Carlo McCormick, MOMA/PS1
New Romance curated by Regina Trapp New Math Gallery NYC Nov
Chill Out curated by Steve Kaplan Kenkeleba Gallery NYC
Romance & Catastrophe curated by Regina Trapp and Michael Kohn Zelle-Meyer Gallery Berlin
Antipasto curated by John Wessel and Billy O’Connor Kamikaze NY
Girls Night curated by Stacey Teele Kamikzaze NYC
Salon Oggi Domani curated by T. Greathouse
Salon Des Artistes Gracie Mansion Gallery
Portraits curated by Mario Fernandez and Nina Seigenfeld New Math Gallery
Judy Rifka’s Girls Book curated by Rich Colicchio Gallery 51X NYC
Gallery Artists, T. Greathouse June - July Post
Contemporary Art, curated by Gracie Mansion Gracie Mansion Gallery October
Portraits, curated by Gracie Mansion Gracie Mansion Gallery
July Vote curated by Paul Smith ABC No Rio Conspiracies curated by Michael Limbo Limbo Gallery
1983 Season Preview curated by T. Greathouse, Oggi Domani, NYC.
Six Photographers, curated by T. Greathouse 411/12 Gallery, NYC.
Spring Street Pier, curated by David Wojnarowicz and Mike Bidlo NYC.
Urban Artists, curated by Carlo McCormick and Christine Zounek Kamikaze NYC
1982 A Flag for the Eighties, curated by Nicolas Mouferrege, P.S.1, Long Island City, NY
The Famous Show, curated by Gracie Mansion Gracie Mansion Gallery NYC.
1979 Six Photographers, curated by Catherine Lamagna, Soho Center for the Visual Arts, NYC. • denotes exhibition catalogues Hope Sandrow 10
Selected Collections: Public and Private
Baltimore Museum of Art, Baltimore, MD
Corcoran Collection at the National Gallery of Art, Washington, DC
Henry Art Gallery
Houston Museum of Fine Arts, Houston, Texas
Metropolitan Museum of Art, NYC
Museum of Modern Art, NYC
New School for Social Research, NYC
The New York Historical, NYC
Parrish Art Museum, Southampton, NY
Whitney Museum of American Art, NYC
Eli Broad Foundation, Los Angeles, CA
Henry Buhl Foundation,
Jeffrey Deitch
C. B. Engelhard Foundation,
Equitable Life Assurance Society
Laura Flanders and Elizabeth Streb
Agnes Gund,
Dakis Joannou, Dorothy Lichtenstein
Vera List
Penny and David McCall
Stephania and Jamie McClennan
Adriana and Robert Mnuchin
David and Peg Ross
Gregg Smith
Sur Rodney Sur
West Family Collection, Weston Collection
COMMISSIONS and SPECIAL PROJECTS
2022 ongoing Nourishing Reciprocity: Artists in Collaboration Hope Sandrow, open air studio Shinnecock Hills spacetime with Kelly Dennis, Jeremy Dennis, Denise Silva Dennis, Brianna Hernandez Baurichter, Ma's House
2016 - 2018 The Fabric of Time, and Space curated by Virginia Shore and Claire D’Alba permanent installation United States Embassy Jakarta, Indonesia; Art in Embassies
2017 ongoing Founder, Chair Town of Southampton Arts and Culture Committee
2014 ongoing Sketches of Local History Shinnecock Canal Canoe Place
2007 - 2016 ongoing Save the Shinnecock Canal
2007 ongoing Happening Live open air studio Shinnecock Hills spacetime
2013 Hope Sandrow Genius Loci (Sky)gazing with Montauk Observatory January Parrish Art Museum curated with Andrea Grover Hope Sandrow Genius Loci Clairaudience with Carlos Lama, Ulf Skogsbergh, Parrish Art Museum curated with Andrea Grover
April 2013 Summer of Love curated by Hope Sandrow Artsites, Riverhead
2012 - 2013 Hope Sandrow Genius Loci, inaugural Platform Project Parrish Art Museum curated by Andrea Grover Southampton New York Hope Sandrow Genius Loci (Sky)gazing with Montauk Observatory November 2012 - January Parrish Art Museum
*Against the Grain, curated by Lowery Sims and Elizabeth Kirrane, Museum of Art and Design 2013 20-year Anniversary: Artist & Homeless Collaborative Arts Workshop, Whitney Museum of Art
2011 Hope Sandrow Endangered Species, LongHouse Reserve On & Off the Ground
2010 Hope Sandrow Which came first, Longhouse Reserve On & Off the Ground
2009 Hope Sandrow Catherine Gund and Family Portraits
2008 Hope Sandrow The Sky is Falling, Shinnecock Family Flock Portraits commissioned by Agnes Gund
Hope Sandrow How do you do Cock-a-doodle-do?; En Plein Air On the Road open air studio Shinnecock Hills spacetime Headstand: Geoff Hendricks and Hope Sandrow On the Road open air studio Shinnecock Hills spacetime Free Advice: Sur Rodney Sur and Hope Sandrow On the Road open air studio Shinnecock Hills spacetime Hope Sandrow 11
2007 Hope Sandrow When Dreams Collide Part II: Shinnecock Happening Online Now Southampton Historical Museum, Hope Sandrow Gissa Bu:(re)collecting an Americans Dream Hope Sandrow How do you do Cock-a-doodle-do? On the Road open air studio Shinnecock Hills spacetime
2006 – 07 Hope Sandrow Shinnecock: godt tegn, directed by Alanna Heiss PS1/MOMA, Hope Sandrow When Dreams Collide: Life, Art and the Pursuit of Happiness Southampton Historical Museum New York State Preservation League, Seven to Save: Gissa Bu
2005 *Hope Sandrow Eureka, Observational Findings: Mt. Vernon Park Contemporary Museum curated by Thom Collins and Cira Pascual Marquina, Baltimore, Md. Hope Sandrow Untitled Observations commissioned by Alannah, Hillary, and Galen Weston, Windsor Florida Hope Sandrow Visiting Artist, Gallery at Windsor Florida.
March 2005 2002 The Ten Thousand Things New York Review Books, cover art repro
1999 - 2001 *In Response to Place Komodo National Park, Indonesia curated by Andy Grundberg and The Nature Conservancy Komodo National Park, Indonesia
1997 Max Kozloff, Memories Spaces Time Hope Sandrow essay for Steven Kasher Gallery
1995 *Material Matters commissioned by Anne Pasternak Art at the Anchorage, Creative Time, NYC
1994-95 *Hope Sandrow Fragments: Self/History, Artist in the Community Southeastern Center for Contemporary Art curated by Susan Lubowsky Talbot and Jeff Fleming Winston Salem, N.C.
1993 The Other Side of the Rainbow, collaboration with artist Robin Tewes Hope Sandrow curator The Artist & Homeless Collaborative, Henry Street Settlement Visual Arts Gallery
1992 Flag for the Nineties curated with Kathleen Goncharov for Vera List, NYC.. 1991 New York Foundation for the Arts, Artists New Works Program ACT UP Billboard Blast curated by Jordon Crandall
1990 Homeless Artist, Artforum Project Page curated by Ida Panicelli, Artforum Summer Issue repros pages 120-121 Hope Sandrow Founded Artist & Homeless Collaborative 1989 Aerial Magazine curated by Phyllis Rosenzweig, Washington, D.C. repros
Hope Sandrow 12 1988 Publication Covers curated by Jean Foos, DIA Art Foundation New York
1987 Hope Sandrow commission Dakis Joannou, Athens, Greece curated by Jeffrey Deitch 1986 Hope Sandrow commission Adriana and Robert Mnuchin, NYC
AWARDS, FELLOWSHIPS, GRANTS
2017 (ongoing) NYFA Artist Fiscal Sponsorship open air studio spacetime
2007 New York State Preservation League, Seven to Save: Gissa Bu
1994 National Endowment for the Arts, Visual Artist Fellowship
Skowhegan School of Painting and Sculpture Governor’s Award
New York City HRA Volunteer Service Award
1993 New York City HRA Volunteer Service Award
Mayor Dinkins Superstar Award; Sony screen on Times Square
NYFA SOS Grant
1991-94 NYFA Artist New Works sponsor Artist & Homeless Collaborative
1991 Manhattan Borough President's Citation for Excellence in the Arts
1990 ArtMatters Fellowship
National Endowment for the Arts, Visual Artists Special Projects Grant
1989 New York City HRA Volunteer Service Award
SELECTED BOOKS & CATALOGS
Ecoart in Action, N.V.Publications, includes the chapter Chance Encounter: Art, Life, and Activism in open air studio Shinnecock Hills spacetime 2021
The Spirit of Art as Activism, edited by Nina Felshin Bay Press. 1994. pp 251 - 282 repros reprinting 2021
Radical Presence: Black Performance in Contemporary Art curated by Valerie Cassel, Contemporary Arts Museum Houston 2013
*Crimes and Misdemeanors: Politics in US Art of the 1980’s curated by Thom Collins Contemporary Arts Center, Cinn., Ohio
Against the Grain, curated by Lowery Sims and Elizabeth Kirrane, Museum of Art and Design 2012
Dead or Alive, curated by Lowery Sims, Museum of Art and Design, NYC, repro page 120
Observational Findings: MT Vernon Park, Contemporary Museum, Baltimore 2005 repro
The Forest: Politics, Poetics, and Practice curated by Kathleen Goncharov Nasher Museum, Duke University. NC. 2005 repros
East Village USA, curated by Dan Cameron, New Museum. 2004 p. 22
Aquaria, curated by Barbara Wally, Landes Museen, Austria, 2002 P. 15 color repro p. 216
Watermarks, curated by Patricia Phillips, Blum Art Gallery, 2003
A Creative Legacy, The National Endowment for the Arts, 2002, repro. P. 197
In Response to Place, curated by Andy Grundberg, Bullfinch Press, 2001 p. 21, pp. 148 – 157 repros
Hope Sandrow: Water Life, curated by Eugenie Tsai, Whitney Museum of American Art 1998
Hope Sandrow: Fragments: Self / History, curated by Susan LubowskyTalbott , SECCA 1995
Time Capsule A Concise Encyclopedia by Women Artists, edited by Robin Kahn Creative Time Lost and Found p 320
Andrea Wolper, Making Art, Reclaiming Lives, The Artist and Homeless Collaborative, But is it Art? The Spirit of Art as Activism, editor Nina Felshin, Bay Press 1995
Skowhegan School of Painting and Sculpture Governor’s Award to Hope Sandrow essay by Thomas Sokolowski. page 7. 1994
Tradition and the Unpredictable, curated by Anne Tucker, Museum of Fine Arts, Houston. 1993 repros
The Subject of Rape, curated by Whitney Museum Independent Study Program Monica Chau, Hannah J. L. Feldman, Jennifer Kabat, Hannah Kruse, Whitney Museum of American Art, NYC.
The Art of Advocacy, curated by Ellen O’Donnell Rankin, Aldrich Museum, Ct. 1991 p. 9
Blast, curated by Jordan Crandall X-Art Foundation 1991. page 33
The Starving Artists Cookbook, curated by Paul & Melissa EIDIA
Dia De Los Muertos/Day of the Dead ,curated by Geno Rodriguez, Alternative Museum, NYC, 1990
Fantasies, Fables, and Fabrications: Photo-works from the 1980's, Herter Art Gallery curated by Curated by Trevor Richardson, University of Massachusetts, Amherst, MA.
Sequence (Con)Sequence, curated by Julia Ballerini, Blum Art Institute, Bard College, NY, Aperture Press, 1989
American Photography of the Eighties, curated by Joshua P. Smith National Museum of American Art, Washington, DC1989
Readings in Contemporary Poetry, Publication Covers curated by Jean Foos, DIA Art Foundation, New York
Photography on the Edge, curated by Curtis Carter, Haggerty Museum of Art, Marquette University, MI., 1988
Working Spaces: New Work from New York, curated by Allison Ferris, University Art Gallery, State University of New York 1987
Contemporary Diptychs: Divided Visions, curated by Roni Feinstein , Whitney Museum of American Art, 1987
Painting and Sculpture Today, Indianapolis Museum of Art Biennial, 1986
Les Recontres D'Arles, curated by Francoise Hebel, Aries, France, 1986
Hope and Fear/ Hope Sandrow Silver Prints, essay and curated by Curtis Carter, Haggerty Museum, Milwaukee, 1986.
Hope & Fear, essay by Ben Lifson, Gracie Mansion Gallery, 1986
Directions 1986 Toward the Baroque, curated by Phyllis Rosenzweig, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution Press, 1986
Neo York, curated by Mary Looker and Phyllis Plous , University Art Museum, University of California Santa Barbara, CA, 1984
East Village Art in Berlin, Zellermayer Galerie, Berlin, 1984.
Investigations: Face to Face curated by Paula Marincola, Institute of Contemporary Art, Philadelphia, PA, 1984
SELECTED LECTURES, WORKSHOPS, PANELS, PERFORMANCES
Pollock-Krasner House and Study Center Stony Brook University, Artist talk March 10, 4:00 - 5:00 p.m
Southampton Art Center Artist talk December 13 2021 Southampton New York
Robert Wilsons Watermill Center January 2019 Nights @ the Round Table guest speaker
PS 122, Visual Aids and the Red Ribbon: Creating an icon Performance Space NY Oct 10 2018
Stone Barns Center for Food and Agriculture curated by Jill Isenbarger, guest speaker June 2016
Alex Jovanovich, Artforum, Hope Sandrow speaks with artforum.com, interview, June 2016
Grey Art Gallery, Hope Sandrow Free Advice with Sur Rodney Sur Radical Presence Sept 9, 2013
Art Sites, Hope Sandrow Free Advice with Sur Rodney Sur Summer of Love July 2013
Parrish Art Museum Hope Sandrow Genius Loci Clairaudience with Carlos Lama, Ulf Skogsbergh, April 2013
Parrish Art Museum Hope Sandrow Genius Loci (Sky)gazing with Montauk Observatory November 2012 - January 2013
Parrish Art Museum, Hope Sandrow Genius Loci Free Advice with Sur Rodney Sur November 2012
Parrish Art Museum, Hope Sandrow Genius Loci Floored with Elke Luyten, Kira Alker
Parrish Art Museum, Lightning Round guest speaker curated by Andrea Grover October 2011
John Jermain Library, Sag Harbor, guest speaker June 2011
Enigma of A Litmus test: Caterina Verde and Pasha Radetzki with Hope Sandrow On the Road open air studio spacetime Shinnecock Hills 2010
Hope Sandrow: How do you do Cock-a-doodle-do?; En Plein Air on the road open air Studio Shinnecock Hills spacetime
Hope Sandrow: Headstand: Geoff Hendricks On the Road open air Studio Shinnecock Hills spacetime 2008
Hope Sandrow: Free Advice: Sur Rodney Sur On the Road open air Studio Shinnecock Hills spacetime 2008
Bluestar Arts Center, guest speaker, September 2005
Gallery at Windsor, Visiting Artist. March 2005
Observational Findings Hope Sandrow Contemporary Museum, Baltimore MD live performance Mt. Vernon Park
New Museum, East Village USA, Art Table. December 2004
Chicago Cultural Center, Artists and Critics Panel, January 2004
Scottsdale Museum of Contemporary Art, guest lecturer curated by Susan Krane, October 2003
Houston Museum of Science, artist panel curated by Andy Grundberg, February 2002
School of Visual Arts, NYC. guest lecturer curated by Gail LeBoff, February 1998
Weatherspoon Art Gallery, NC. Artist's panel curated by Nancy Doll, September 1998
School of Visual Arts, NYC. guest lecturer, September 1998
Hebrew Union College, NYC. Artist's panel curated by Laura Kruger November 9, 1997
Block Gallery, Northwestern University, Evanston, Ill. guest speaker curated Andy Grundberg. April 29, 1995.
Cooper Union, NYC. guest speaker. March 29, 1996
Bard College, Center for Curatorial Studies, Conversations, guest speaker. March 1, 1995
Williams College, Williamstown, Mass. guest speaker. Feb 13,1995
Southeastern Center for Contemporary Art, Winston-Salem, NC. guest lecturer. Jan 1995.
Winston Salem State University, Winston-Salem, North Carolina. guest speaker. Dec 1994
Wake Forest University, Winston-Salem, North Carolina. guest speaker. November 1994.
Wake Forest University, Winston-Salem, North Carolina. Artist in Residence curated by Susan Lubowsky Talbott, November 1994
Thread Waxing Space curated by Nancy Spero Violence and Men Artists Speak the Visual Language of Survival panel discussion NYC. 1994
Hyde Collection, Glen Falls, N.Y. guest speaker curated by Kathleen Monaghan March 1994
Women’s Caucus on Art, The A&HC curated by nLowery Stokes Sims, College Arts Association, NYC February 15, 1994
Wake Forest University, Winston-Salem, North Carolina. Artist in Residence curated by Susan Lubowsky Talbott. November 1994
Winston Salem State University, Winston-Salem, North Carolina. guest speaker. Dec 1994
Arts & Business Council, The Arts and Social Causes: Corporate Support, March 15, 1993.
Sawtooth Center for Visual Arts and Arts Council of Winston Salem, guest lecturer, Oct. 1993
Arts International, Crossing Cultures, roundtable, Barcelona, Spain. June 1993.
Whitney Museum of American Art at Equitable, guest lecturer, Dirt & Domesticity, June 1992
School of Visual Arts, NYC, guest lecturer, December 1991
Montclair State College, Montclair, NJ, guest lecturer, April 1991
Feminist Art and Art History Conference. Barnard College. October 19, 1991
Art In General, Homelessness and the Arts, guest speaker curated by Holly Block 1991 NYC
Emanu-el Midtown YM-YWHA, NYC, Women Artists, guest panel speaker, February 1988
Haggerty Museum, Milwaukee, guest lecturer, September 1986
Hirshhorn Museum, An Evening with Peter Fleps and Hope Sandrow, Directions 1986 exhibition curated by Phyllis Rosenzweig .
Hirshhorn Museum, New Vistas, artist and critics panel curated by Phyllis Rosenzweig, March 1986
Bard College, Rhinecliff, NY, guest lecturer, July 26, 1985
University Art Museum, Santa Barbara, guest speaker on panel curated by Phyllis Plous and Mary Looker, November 1984
SELECTED PUBLICATIONS
Tom Gogola, Hope Sandrow Springs Eternal, Southampton Press Jan 31, 2024
Alex Greenberger, The 100 Greatest New York City Artworks, Ranked, ARTnews August 29, 2023
Heather Buchanan, Art for Change: Hope Sandrow’s Art Activism Transforms Lives Hamptons Real Estate Showcase p42
Shanti Escalante-De Mattei, How a New York Artist Used Her Work to Offer a Respite for Homeless Women During the ’90s ARTnews March 17, 2022
Roger Clark, New exhibit tells the stories of NYC's homeless through art Spectrum News NY1 January 11, 2022
Essence Magazine, 19 Winter Art Exhibitions To See: Art For Change: The Artist & Homeless Collaborative – New-York Historical Society December 13, 2021
Mark Segal, Hope Sandrow: The Courage to Create Anew, Easthampton Star November 11, 2021
Mark Segal, Connecting Artists and the Public, Easthampton Star July 9 2020 The Conversation Art Podcast
Holland Cotter, Thomas Sokolowski, 70, Dies; Put Art in the Service of AIDS Activism New York Times May 13, 2020
All About photo.com, Tim Greathouse: Albeit February 9, 2020
Trenton Staube, A 1980s Artist Lost to AIDS Gets Rediscovered in 2020 January 2020
Michael Shaw, Gracie Mansion, legendary New York art dealer– from galleries in the East Village to SoHo to Chelsea, and then on to online auctions
Elia Alba’s, The Supper Club Dec 2019 Sur Rodney Sur
Skowhegan Honorees, Skowhegan 2019
Andrew Belonksy, The Red Ribbon: An Oral History Magenta December 2019
Valerie Gordon, UPDATE: Great Blue Heron Released At Shinnecock Bay 27east.com
Jen Newman New Arts And Culture Committee Created In Southampton Town 27east.com April 26, 2017
Jen Newman, Southampton Town Board Repeals PDD Law On Tuesday 27east.com July 12, 2017
Julia Halsey, Southampton Arts And Culture Committee To Hold First Meeting On June 19, 27east.com June 11, 2017
Bridget LeRoy, Southampton Town Has High Hopes For New Arts And Culture Committee 27east.com May 16, 2017
Lauren Cavalli, Judge Rules In Favor of Artist Hope Sandrow in Lawsuit Against Developers, artforum.com, September 12, 2016
Amanda Bernocco, Neighbors Win Round Southampton Press, Sept 8, 2016 Eastern Edition,
Alex Jovanovich, Artforum, Hope Sandrow speaks with artforum.com, 14-minute edited interview, June 2016
Dianne B, Dirtier August 8, 2013
Lee Magill, Against the Grain is open at the Museum of Arts and Design, Timeout Kids March 21, 2013
Annette Hinkle, Clairaudience Elevates Sound to an Art Form, Sag Harbor Express March 20, 2013
Joyce Beckenstein, Live Media, Feature Article Sculpture Magazine March/April 2013
Joyce Beckenstein, Nature Incorporated A group show at art sites in Riverhead, New York Art of the Times November 2012
Barbara A. MacAdam, A Barn by Any Other Name, Artnews November 2012
Steve Parks, Parrish Art Museum gets Watermill Home, Long Island Newsday, October 31, 2012
Emily J. Weitz, When Chickens Change a Life, Sag Harbor Express, June 2, 2011 Front Page
Gabrielle Selz, The Egg, Inside and Out, Huffington Post Arts, April 19, 2011
Veronica Roberts, An Exchange with Sol LeWitt, Fluent Collaborative February 18, 2011
The Easthampton Star, Planters On and off the Ground, LongHouse Reserve June 30 2011 repro Aa3
The Southampton Press, LongHouse Reserve Container Show, June 29 repros R2
Janet Goleas, Hope Sandrow at Art Sites, Blink August 28, 2010
Olive Peterson, Artsites curated by Glynis Berry and Hideaki Ariizumi, Riverhead NY
Nicole Bengiveno, LensBlog New York Times with online slide show of Sandrow’s work
Penelope Green, An Artist Feathering Her Nest, New York Times, July 16, 2009, front page, D1, D5 and with online slide show
Katy Niner, Sounding the Alarm, Jackson Hole News, Sept 9, 2009
Terese Karmel, Bird Watching from the Inside, March 20 2008 p 10
Sur Rodney Sur, Radical Art Chick Hope Sandrow, Pussy Winter Issue 3
APT Insight, Creative Capital Hope Sandrow, p 48
Beth Young, Hope Sandrow Traffic Flows; Roadside Art Stalls Southampton Press, April 17 2008 repro
Benjamin Genocchio, Looking into the world of Genomes and Seeing an Unreliable Future New York Times March 2 2008 repro p10
Creating Art Promoting Change curated by Shulamit Reinharz Hadassah Brandeis Institute
Benjamin Genocchio, Digging in to Nurture Nature, New York Times, May 20, 2007 repros
Pat Rogers, Cultivating Ideas on Environmental Art, Southampton Press May 13, 2007 repros
Valerie Cotsalas, Seeking to Preserve Eccentricity, New York Times March 4, 2007 repros
Jess Frost, Recalling an American Dream, East Hampton Star February 1, 2007 repros
Mary Cummings, A Walk in the Woods Brings Welcome Surprise For Artist, Southampton Press Jan 18, 2007 repros
Sag Harbor Express, Sandrow’s American Dream Sag Harbor Express Jan 18, 2007 p 8 repro
Elizabeth Fasolino, The Art Scene: Hope Sandrow Photos The East Hampton Star Jan 18, 2007
Alex McNear, Lodge Makes Preservation List, Southampton Press Jan 25, 2007
Ambrose Clancy, Only Two of Historic Plots will be Saved, Southampton Press, Sept 28, 2006
Ambrose Clancy, Hidden Away, Southampton Press, September 14, 2006
Ambrose Clancy, Town and Developer Strike Deal, Southampton Press, August 24, 2006 repros
Michele Natale, Nasher show probes man-earth links, New Observer October 30, 2005
Mark Feeney, Examining nature’s beauty with bold visions”, The Boston Globe August 3, 2005
Wendy Ward, Critics Picks “Eureka” Baltimore City Paper May 4, 2005.
Joe Dirosa, East Village USA, New York Artist Series January 21, 2005
Artdaily.com, Crimes and Misdemeanors: Politics in US Art of the 1980’s, September 22, 2004
Victor Cassidy, Artnet February 22, 2004, repro
Jerry Stein, Art of ‘80s makes a political statement at CAC, The Cincinnati Post, Dec 8, 2003
Craig Wallach, New Exhibit hails the beauty of nature, Phoenix Times September 4, 2003
Judy Wagonfield, Photo Exhibit depicts 12 ‘last great places’, Seattle Post- intelligencer August 22, 2002
Robyn Russo, Discovering the World’s Secret Spots, The Hoya, Sept. 28, 2001
Frank Van Riper, Camera Works, Washington Post, November 5, 2001
Michael O’Sullivan, Putting “Great Places” In Their Place, The Washington Post Sept. 28, 2001, PWE49, repro.
Roxanne Roberts, Preserved on Camera, and on the Planet, The Washington Post Sept. 11, 2001
Mary Cummings, Artist Strives To Express the Inexpressable, Southampton Press, May 4, 2000, pp. B1, B6 repro
Erica-Lynn Huberty, Guild Hall Offers an Art and Memory Sampler, Southampton Press, Dec. 9, 1999, p. B7
Liza Kirwin, EV in the Press, Artforum October 1999, p. 127
Walter Robinson, Cool water, ARTNET, August 13, 1998 cover color repro & review Water Life
Jeffrey Kastner, Branching Out, ART News November 1998. p. 140, repro
Roberta Smith, Weekend Art in Review Hope Sandrow Water Life, New York Times September 11, 1998. p E38
Erica-Lynn Gambino, Installation's Imagery Informed by Tidal Drama, Southampton Press, Sept.10, 1998.repo's B1-6
Dispatch, Photographic perspective displayed at Weatherspoon Art Gallery, July 23, 1998 repro
Tom Patterson, Building on the Body, Winston-Salem Journal August 16, 1998. p. E3 repro
New Yorker, Goings On About Town. August 24 & 31, 1998. p 32
Aileen Jacobson, Art Captures patterns of destruction on the isle Newsday
Vince Aletti, Voice Choices Short List Hope Sandrow Village Voice August 18, 1998. p 69
Whitney Scott, Must Picks of the Weekend Hope Sandrow, New York Post,. Aug. 15, 1998. p 27 repro
Sunday New York Times Arts & Leisure Guide, b&w repo. July 26, 1998 repro
Vince Aletti, Voice Choices, Hope Sandrow, The Village Voice, October 16, 1997
Sarah Blustain, Battered Images Reflect Rough Realities The Forward October 1997
John Mendelsohn, The Scream Jewish Week The Arts repro
Robert Hicks, A “survivor” creates activist images Hope Sandrow Memories Spaces Time, Downtown Express Photography repro
Kim Levin, Voice Choices, Affirmative Actions: Artists at Work, Village Voice July 18, 1995
Roberta Smith, Anchor, and Balm for Restless Souls, New York Times, pp. C1 & C22. Weekend, Aug. 4, 1995
Grant Kester, Aesthetic Evangelists, AfterImage, January 1995. pp. 5-11, repros
Kim Underwood, Artist, and the Community Hope Sandrow Winston-Salem Journal repro B10
Margaret Shearin, The Art of Boxing Hope Sandrow, Triad p 15 repro
Kim Levin, Voice Choices, Village Voice, Dec 20, 1994.
Anne Quirin, New York fur Fauen, Elster-Verlag, 1994. pp 248-255, repros
Exhibition Highlights in 1993, Art in America Annual, Summer 1994
Linda Ellingsworth, Hyde’s Outreach: Linking Local Artists & GF Youth Center, The Chronicle repro p 22
P.C. Smith, Op/Ed: Today’s Art Merges Object and Criticism The New York Times October 30, 1994
Marvin Howe, The City The Return of the Red Ribbon, New York Times, April 10 1994
Art in America, NEA Fellowships for Artists, 1994
P.C. Smith, Complex Visions, Art in America, March 1993, pp. 66-75. repro
Elizabeth Hess, The Subject of Rape. Village Voice July 13, 1993. page 82
Phyllis Kriegel, Artist & Homeless Collaborative, New Directions for Women, Jan-Feb 1993
Andrea Wolper, Sheltered With a Resume New York Newsday September 8 p29
Joan S. Rodgers, A Time to tell The Arts Winston-Salem Journal October 24 1993 G2
Jeff Gates, The Cultural Working Class Perspectives, High Performance Spring
Susan Kendzulak, Our Mothers, Our Grandmothers, The WAÇ Circle Volume1, Issue 1 September 1992
Robert Mahoney, Second Day Without Art, Flash Art, November/December 1990, pp. 177
Valerie White, Unusual artless exhibit depicts a realistic picture of sexual abuse, The Register Star Hudson NY September 6
Elizabeth Hess, No Place Like Home, Artforum, October 1991, pp. 95-98 repro
Lucy Bowditch, Changing New York, Photography in New York.pp.6
Kathy Dobie, The New Volunteers Vogue Magazine, August pp 213-215, 316 - 317
Grazia Quaroni. Le donne dell’arte New York, Gracie Mansion and Hope Sandrow Marie Clair (Italian), October 1991, pp.123-131 repros
Robert Craddock, Inside the Shelter Project MOMA Education Newsletter, Autumn/Winter
Robert Atkins, Art as Shelter, Village Voice, Nov. 27, 1990
P.C. Smith, Hope Sandrow, Art in America, April, 1990, pg. 264 repro
Vince Aletti, Voice Choice Hope Sandrow, Village Voice, Oct. 10, 1989
Phyllis Rosenzweig, Aerial Magazine, Washington, D.C. repros 1989
Estelle Jussim, The Cutting Edge, Boston Review, October 1989, p. 5
Bill Jones, Born Again, Seeing the End of Photography, Arts, October 1989, pp. 72-77 repro
Ray Fashona, Visual Assault, Bard photography exhibit challenges viewers with a barrage of images, Dutchess Living Taconic Newspapers p 8-9
Robert Mahoney, Reviews: Group-UFO, Arts, Jan. 1988, p.110 repro
Vince Aletti, Voice Choice Hope Sandrow, Village Voice June 7, 1988
Peter Bach, Gracie Mansion’s Art Alive, On Duty 1988
Saturday Review: Hope Sandrow, briefings Tears for fears, June 1988 repro p14
Andy Grundberg, From New Talent, Bold New Images, New York Times, Nov. 13, 1987, pp.Cl, C23
Vince Aletti, Photography Choices: Group UFO, Village Voice, Nov. 10, 1987, p.49
Liz Lufkin, The Multiple Image Approach, San Francisco Chronicle, June 21, 1987, p.13
Carlo McCormick, Art Group-UFO Paper, November 1987
Carlo McCormick, Guide to East Village Artists Arts p 10
Diptychs Show Art Business News November p 15
Books and Catalogues Received, The Photo Review, Spring 1986, p.19
Leone Lawrence, Reviews: Directions 1986, ARTNEWS April 1986, pp.144-5
Museum & Dealer Catalogues, The Print Collector's Newsletter, May/June 1986 repro
Pamela Kessler, Going Off in All 'Directions Washington Post Weekend Section repro
Dinah Price, Sex and More at Pyramid New York Post Feb 29 repro
Dinah Prince, Hope Sandrow Downtown New York Post
Paul Richard, Hirshhorn’s Directions: A Jarring Mix of Good & Bad The Washington Post C7 February 8
James Auer, Sandrow’s photos bridge time, space The Milwaukee Journal August 24 p Se repro
Shelley da Cunha, Names & Faces LA Extra May 30 p x-4 repro
Kim Van Antwerpen, Hope Sandrow: New exhibit mixes art and photography Marquette Tribune Milwaukee repro
Dean Jensen, Hope Sandrow: Photographer crosses boundaries of reality, Milwaukee Sentinel August 15 repro
Lee Fleming, Nature Gets the Treatment, Washington Review, April/May repro p 8
Jane Addams Allen, Hirshhorn moves in unequal “Directions” p 1B and 2 B
Jane Addams Allen, Exhibiting an Absence of Judgement, Insight pp 72-73
Andy Sichel Hindsites/: Hope Sandrow Art Criticism Downtown April 9 repro
Ed Rubin, The East Village Fashion Insitute of Technology New Art Examiner p 52
Nicolas Coleman, Urban Textures, Washington Post, January 1, 1985, p.B7 repro
Dinah Prince, Girls Girls Girls Metro Daily News April 22 p25 repros
J.W. Mahoney, The East Village Sampler, New Art Examiner, April 1985, p.61 repro
P.C. Smith, Election Issues: A timely artistic response, Arts, Nov. 1984, pp.126-7 repro
Betsy Sussler, The Americas, Art, Poetry, Fiction, Film, Bomb, Spring 1984, p.48 repro
Nicolas Moufarrege, The Year After, Flash Art, Summer 1984, p.55
Carlo McCormick and Walter Robinson, Slouching Toward Avenue D, Art in America Summer 1984, pp.151 repro
Photographs by Hope Sandrow, Appearances, Fall 1984 repro
Nicolas Moufarrege, The Famous Show Flash Art January
Steve/Stuff 36, Hope Sandrow at the Zero One repro
Colin Westerbeek, New York Review section, Artforum, March 1980, p.73 repro
Bob Colacello, James Brady, Interview, 1980, p. 34 repro
CAPCOM reveals Pollution Spread: Cleaner Air Week Honors Dirt The Cherry Hill News October 19 1967 repro p 9
SELECTED INTERNATIONAL PUBLICATIONS
Von Andreas Holl, Frankfurter Rundschau, Gepinkelt wird im Stehen, June 11, 2000
Grazia Quaroni, New York. Le donne dell’arte, Marie Clair (Italian), October 1991, pp.123-131 repros
Andrea Muller-Pohle, Hope Sandrow, European Photography, July/August/September 1986 repro
Barbara Tosi, La scoperta dell’ America, Flash Art Italian Edition, dec 1985/Jan 1986 p 56-57
-------, East Village, The Paris Free Voice Feb. 1985 repro
-------, New York, Juliet, Oct/Nov. 1985, p.29
Jennifer Clark, East Village, Rome International Courier Oct 16
Maria Nadotti, Arrivano gli Americani, publication unknown, Italy
Katherine Texier, New York Creation: Effervescences, Autremont, 1984, Paris, France
Patrick Roegires, Trois Jeunes Artistes Americans,Revolutions, Paris, France
Francis Granon, Photos sur Canapes, Telerama, 1/30/85, Paris, France
SELECTED MEDIA
Free Advice Sur Rodney Sur and Hope Sandrow, Events Hauser & Wirth Institute
UnHomeless NYC: Hope Sandrow with Nina Felshin, The Artist and Homeless Collaborative 2023
Roger Clark, Spectrum News NY1, New exhibit tells the stories of NYC's homeless through art January 11, 2022
Alex Jovanovich, Artforum, Hope Sandrow speaks with artforum.com,14-minute interview, June 2016
Joyce Raimondo, Art of Change with artist Hope Sandrow, Pollock-Krasner House and Study Center, Easthampton NY March 2022
John Dankovosky, WHERE WE LIVE: An Exchange about Sol LeWitt, WNPR January 12, 2011